To contact us Click HERE
SongVest launches two blockbuster auctions today: the music of Jerry Garcia and Prince (with 94 East). Passion meets opportunity now that fans can own a revenue-producing piece of musical history by sharing in the royalties of their favorite songs. SongVest’s auctions with featured memorabilia are one of a kind and a rare find for the music loving investor.
The bonus packed Jerry Garcia/Merl Saunders’ SongVest auction celebrates the recent release of the highly anticipated “Keystone Companions” recordings. This is an opportunity to own 33% of the complete catalog of Saunders’ studio albums. Included in this set is the Keystone Live Recordings Collection which contains the entire body of work from the influential Jerry Garcia/Merl Saunders 25-year musical partnership.
Saunder’s catalog also features his numerous collaborations with The Grateful Dead, David Grisman, Bonnie Raitt and many others. Also offered in this auction are the future royalties from 200+ previously unreleased masters of Jerry Garcia-Merl Saunders live shows as well as the future royalty rights to the very popular Legion of Mary and Jerry Garcia Band: Live at Berkeley 1973 and 1974 recordings.
As a bonus, the highest bidder will received tickets to a private tribute concert of the Keystone Companions collection by Merl Saunders’ son, Tony Saunders, and Keystone Revisited. In addition, the lucky buyer will get a professional platinum record plaque that showcases ownership of the catalog.
To view this auction please go to http://www.songvest.com/category/362/Rock/listings/316/Garcia-and-Saunders-Catalog.html
The exclusive auction of Prince’s first-ever professional recording on guitar starts today at www.SongVest.com. This event offers the original 2” recording master (and the safety copy) with the original separated tracks of Prince performing at age 17 with Pepé Willie and the 94 East band on The Cookhouse Five album.
This special auction offers the rare opportunity for ownership of the copyright as well as the legal rights to market and promote the recording. This 1975 album is slice of history – recorded at Cookhouse Studios in Minneapolis; this is the beginning of a remarkable career where Prince began to define the Minneapolis Sound!
To view this auction please go to: http://www.songvest.com/category/362/Rock/listings/317/Prince-(feat-94-East).html.
30 Kasım 2012 Cuma
The Doors "Live At The Bowl '68" Debuts At #1 With Theatrical Screenings To Follow
To contact us Click HERE
The Doors' newly released Live At The Bowl ’68 makes an impressive debut at #1 on the Billboard Top Music Video Chart.
Live At The Bowl ’68 features a newly restored version of the band’s the legendary 1968 Hollywood Bowl concert. For the first time, the film from the historic performance has been painstakingly restored using the original camera negatives and the audio has been remixed and mastered from original multitracks by the group’s engineer and co-producer Bruce Botnick.
This new restoration offers a stunning visual upgrade from earlier versions and will give fans the closest experience to being there live alongside Jim Morrison, John Densmore, Robby Krieger and Ray Manzarek, who opined, “You can hear it as if you were at the Hollywood Bowl, on stage with us.”
Check out our review of the Live At The Bowl ’68 Blu-Ray.
Live At The Bowl ’68 will also debut theatrically later this week with several exclusive “one night only” screenings. The first screenings are set to begin on November 6 and will continue in select markets across the U.S. throughout the month of November. For a list of specific theaters and dates, please visit www.thedoors.com/liveatthebowl.html.
A trailer for the film can be viewed at http://youtu.be/o5nQr7fzS9Y.
Live At The Bowl ’68 features a newly restored version of the band’s the legendary 1968 Hollywood Bowl concert. For the first time, the film from the historic performance has been painstakingly restored using the original camera negatives and the audio has been remixed and mastered from original multitracks by the group’s engineer and co-producer Bruce Botnick.
This new restoration offers a stunning visual upgrade from earlier versions and will give fans the closest experience to being there live alongside Jim Morrison, John Densmore, Robby Krieger and Ray Manzarek, who opined, “You can hear it as if you were at the Hollywood Bowl, on stage with us.”
Check out our review of the Live At The Bowl ’68 Blu-Ray.
Live At The Bowl ’68 will also debut theatrically later this week with several exclusive “one night only” screenings. The first screenings are set to begin on November 6 and will continue in select markets across the U.S. throughout the month of November. For a list of specific theaters and dates, please visit www.thedoors.com/liveatthebowl.html.
A trailer for the film can be viewed at http://youtu.be/o5nQr7fzS9Y.
Encore Screenings Of Led Zeppelin's Celebration Day Being Added
To contact us Click HERE
Following the worldwide success of Led Zeppelin's Celebration Day, the cinema concert event which presented live footage of the band’s 2007 reunion concert at London’s O2 Arena, there has been an enormous response from fans – 1.7 million fans have visited the fan’s website.
The film was screened in 15,000 cinemas around the world for a strictly limited engagement on Wednesday, October 17, 2012. Fans who were unable to attend the original tribute concert for Atlantic Records founder Ahmet Ertegun in 2007, when more than 20 million fans applied for the 18,000 available tickets in a worldwide lottery, finally had the opportunity to see it as if they had front row tickets. The film earned $2 million in a single night and was a phenomenal success.
Omniverse Vision, the UK-based distribution company that released Celebration Day, a two-hour-plus tour de force of Zeppelin’s signature blues-infused rock ‘n’ roll, has been working with online marketing specialist Distrify to track the response from fans online via an interactive platform on the Led Zeppelin website. With 100,000 hits a day, including 46,000 searches for show times and 4,000 requests for local screenings, Distrify has been able to compile the information needed for Omniverse Vision executives to agree to schedule encore performances in select markets to meet the demands of Led Zeppelin’s fans. There has been overwhelming interest in additional screenings from the U.S., the UK, Japan, Brazil, Canada, Italy, Germany, France, Mexico and Australia.
For younger fans, this film may be the first time that they will see founding members John Paul Jones, Jimmy Page and Robert Plant, along with Jason Bonham, son of the late Led Zeppelin drummer John Bonham, together on stage. For older fans, this might be their last chance to see these iconic rockers perform 16 songs from their iconic catalog. The band made it all too clear in press conferences announcing Celebration Day that there were no plans for a reunion tour. The set list for the cinema concert event includes:
1. Good Times Bad Times
2. Ramble On
3. Black Dog
4. In My Time Of Dying
5. For Your Life
6. Trampled Under Foot
7. Nobody’s Fault But Mine
8. No Quarter
9. Since I’ve Been Loving You
10. Dazed And Confused
11. Stairway To Heaven
12. The Song Remains The Same
13. Misty Mountain Hop
14. Kashmir
15. Whole Lotta Love
16. Rock And Roll
Celebration Day will be presented in high definition with surround sound in movie theatres for an encore performance on Tuesday, November 13. Tickets are limited.
For a list of theatres and show times, please refer to the Led Zeppelin website.
Celebration Day will then be available in multiple video and audio formats on November 19, 2012 from Swan Song/Atlantic Records.
The film was screened in 15,000 cinemas around the world for a strictly limited engagement on Wednesday, October 17, 2012. Fans who were unable to attend the original tribute concert for Atlantic Records founder Ahmet Ertegun in 2007, when more than 20 million fans applied for the 18,000 available tickets in a worldwide lottery, finally had the opportunity to see it as if they had front row tickets. The film earned $2 million in a single night and was a phenomenal success.
Omniverse Vision, the UK-based distribution company that released Celebration Day, a two-hour-plus tour de force of Zeppelin’s signature blues-infused rock ‘n’ roll, has been working with online marketing specialist Distrify to track the response from fans online via an interactive platform on the Led Zeppelin website. With 100,000 hits a day, including 46,000 searches for show times and 4,000 requests for local screenings, Distrify has been able to compile the information needed for Omniverse Vision executives to agree to schedule encore performances in select markets to meet the demands of Led Zeppelin’s fans. There has been overwhelming interest in additional screenings from the U.S., the UK, Japan, Brazil, Canada, Italy, Germany, France, Mexico and Australia.
For younger fans, this film may be the first time that they will see founding members John Paul Jones, Jimmy Page and Robert Plant, along with Jason Bonham, son of the late Led Zeppelin drummer John Bonham, together on stage. For older fans, this might be their last chance to see these iconic rockers perform 16 songs from their iconic catalog. The band made it all too clear in press conferences announcing Celebration Day that there were no plans for a reunion tour. The set list for the cinema concert event includes:
1. Good Times Bad Times
2. Ramble On
3. Black Dog
4. In My Time Of Dying
5. For Your Life
6. Trampled Under Foot
7. Nobody’s Fault But Mine
8. No Quarter
9. Since I’ve Been Loving You
10. Dazed And Confused
11. Stairway To Heaven
12. The Song Remains The Same
13. Misty Mountain Hop
14. Kashmir
15. Whole Lotta Love
16. Rock And Roll
Celebration Day will be presented in high definition with surround sound in movie theatres for an encore performance on Tuesday, November 13. Tickets are limited.
For a list of theatres and show times, please refer to the Led Zeppelin website.
Celebration Day will then be available in multiple video and audio formats on November 19, 2012 from Swan Song/Atlantic Records.
Mick Jagger's Love Letters Up For Auction
To contact us Click HERE
Love letters written by Rolling Stones frontman Mick Jagger to American singer Marsha Hunt, discussing poetry and his personal turmoil, will hit the auction block next month.
Hunt, with whom Jagger had his first child, Karis, told Britain's Guardian newspaper she was selling the letters, written in July and August 1969, because she had been unable to pay her bills.
"I'm broke," Hunt, who lives in France, told the newspaper.
The Guardian said on Friday the 10 letters would be sold by Sotheby's on December 12.
The auction house values the letters from between 70,000 and 100,000 pounds ($111,000-$160,000).
Jagger wrote them to Hunt while filming the Tony Richardson movie Ned Kelly in Australia.
They are described as showing a sensitive side of the then-young singer, who wrote about the poetry of Emily Dickinson, meeting author Christopher Isherwood and an unrealized multimedia project.
Jagger's relationship with Hunt, who is African-American, was kept under wraps until 1972.
"The sale is important," Hunt told The Guardian. "Someone, I hope, will buy those letters as our generation is dying and with us will go the reality of who we were and what life was."
Hunt has said she was the inspiration for the Rolling Stones' song "Brown Sugar," which Jagger wrote while in Australia.
The rock star also cites in the letters the disintegration of his relationship with singer Marianne Faithful, whom he was also dating at the time, and the death of Rolling Stones' guitarist Brian Jones.
Hunt, with whom Jagger had his first child, Karis, told Britain's Guardian newspaper she was selling the letters, written in July and August 1969, because she had been unable to pay her bills.
"I'm broke," Hunt, who lives in France, told the newspaper.
The Guardian said on Friday the 10 letters would be sold by Sotheby's on December 12.
The auction house values the letters from between 70,000 and 100,000 pounds ($111,000-$160,000).
Jagger wrote them to Hunt while filming the Tony Richardson movie Ned Kelly in Australia.
They are described as showing a sensitive side of the then-young singer, who wrote about the poetry of Emily Dickinson, meeting author Christopher Isherwood and an unrealized multimedia project.
Jagger's relationship with Hunt, who is African-American, was kept under wraps until 1972.
"The sale is important," Hunt told The Guardian. "Someone, I hope, will buy those letters as our generation is dying and with us will go the reality of who we were and what life was."
Hunt has said she was the inspiration for the Rolling Stones' song "Brown Sugar," which Jagger wrote while in Australia.
The rock star also cites in the letters the disintegration of his relationship with singer Marianne Faithful, whom he was also dating at the time, and the death of Rolling Stones' guitarist Brian Jones.
Springsteen, McCartney To Perform Concert For Sandy's Victims
To contact us Click HERE
Bruce Springsteen and the E Street Band, Paul McCartney, Kanye West and Jon Bon Jovi will perform at a special "12.12.12" Concert for Sandy Relief at Madison Square Garden next month, according to organizers.
The Who, Roger Waters, Billy Joel and Alicia Keys have also signed up for the December 12 event, which its producers said is shaping up to be a showcase of rock royalty.
"The response from the entertainment community to help those most affected by Hurricane Sandy has been nothing short of astounding," the Madison Square Garden Company, Clear Channel Media and Entertainment and The Weinstein Company said in a joint statement.
"We expect to announce additional legendary performers in the near future and we are confident that the event will ensure those in need will not be forgotten, and vital aid will be directed to rebuilding our communities along the East Coast."
More than 130 people were killed when the superstorm pummeled the east coast of the United States late last month. Thousands more were left homeless as the storm tore through areas of New York, New Jersey and Connecticut, causing an estimated $50 billion in damage.
Donations raised from the one-night event concert will go to the Robin Hood Relief Fund, which will provide money and materials to groups helping people hardest hit by the storm.
The organizers of the concert also produced the 9/11 benefit The Concert for New York City in 2001, which raised more than $30 million.
A concert and telethon on NBC earlier this month raised almost $23 million for people affected by the storm.
The Who, Roger Waters, Billy Joel and Alicia Keys have also signed up for the December 12 event, which its producers said is shaping up to be a showcase of rock royalty.
"The response from the entertainment community to help those most affected by Hurricane Sandy has been nothing short of astounding," the Madison Square Garden Company, Clear Channel Media and Entertainment and The Weinstein Company said in a joint statement.
"We expect to announce additional legendary performers in the near future and we are confident that the event will ensure those in need will not be forgotten, and vital aid will be directed to rebuilding our communities along the East Coast."
More than 130 people were killed when the superstorm pummeled the east coast of the United States late last month. Thousands more were left homeless as the storm tore through areas of New York, New Jersey and Connecticut, causing an estimated $50 billion in damage.
Donations raised from the one-night event concert will go to the Robin Hood Relief Fund, which will provide money and materials to groups helping people hardest hit by the storm.
The organizers of the concert also produced the 9/11 benefit The Concert for New York City in 2001, which raised more than $30 million.
A concert and telethon on NBC earlier this month raised almost $23 million for people affected by the storm.
29 Kasım 2012 Perşembe
DLR: I'm Eddie Van Halen's Biggest Fan
To contact us Click HERE

The 2012 Van Halen tour is only a few shows in and the fan reviews continue to be strong.
VH have been dropping some rarely-played gems in the setlists and mixing things up a little as they settle into the start of the trip.
This week, VH play two nights at Madison Square Garden, and the New York Post caught up with David Lee Roth for an update on the band’s tour in support of “A Different Kind Of Truth.”
“We’re doing a lot of tunes that don’t usually get out of the deck and Edward is more lucid now than any time in my memory,” explains Roth. “I’m his biggest fan. I still remember the first time I saw him playing in a backyard party in Pasadena in high school. He was great then and he’s great now. We’ve come full circle.”
Asked what sets VH apart from other bands, Dave says “We throw a sick party, and if you get invited, you gotta go. For starters, on this tour Kool and the Gang are opening our shows, and that’s full circle for us because we used to play ‘Hollywood Swinging’ in five-sets-a-night-beer-bars. And the first three songs on our new record are thunder-funk. What we’re giving is the best of the old and the new — think of it like watching ‘Dragnet’ on your iPad.”
Roth was asked how the pop world changed since VH started in the 70s.
“These days, I see too much cheerleading and not enough stagecraft, and what I’m seeing isn’t worth cheering for,” replies Roth. “The questions I want to ask most of my colleagues are: Can you even do the whole song from beginning to end? Can you do it onstage like you did it in the studio? Do you float like a butterfly or sting like a pre-recorded bee?”

The 2012 Van Halen tour is only a few shows in and the fan reviews continue to be strong.
VH have been dropping some rarely-played gems in the setlists and mixing things up a little as they settle into the start of the trip.
This week, VH play two nights at Madison Square Garden, and the New York Post caught up with David Lee Roth for an update on the band’s tour in support of “A Different Kind Of Truth.”
“We’re doing a lot of tunes that don’t usually get out of the deck and Edward is more lucid now than any time in my memory,” explains Roth. “I’m his biggest fan. I still remember the first time I saw him playing in a backyard party in Pasadena in high school. He was great then and he’s great now. We’ve come full circle.”
Asked what sets VH apart from other bands, Dave says “We throw a sick party, and if you get invited, you gotta go. For starters, on this tour Kool and the Gang are opening our shows, and that’s full circle for us because we used to play ‘Hollywood Swinging’ in five-sets-a-night-beer-bars. And the first three songs on our new record are thunder-funk. What we’re giving is the best of the old and the new — think of it like watching ‘Dragnet’ on your iPad.”
Roth was asked how the pop world changed since VH started in the 70s.
“These days, I see too much cheerleading and not enough stagecraft, and what I’m seeing isn’t worth cheering for,” replies Roth. “The questions I want to ask most of my colleagues are: Can you even do the whole song from beginning to end? Can you do it onstage like you did it in the studio? Do you float like a butterfly or sting like a pre-recorded bee?”
Jerry Garcia and Prince's Royalty Rates Up For Auction
To contact us Click HERE
SongVest launches two blockbuster auctions today: the music of Jerry Garcia and Prince (with 94 East). Passion meets opportunity now that fans can own a revenue-producing piece of musical history by sharing in the royalties of their favorite songs. SongVest’s auctions with featured memorabilia are one of a kind and a rare find for the music loving investor.
The bonus packed Jerry Garcia/Merl Saunders’ SongVest auction celebrates the recent release of the highly anticipated “Keystone Companions” recordings. This is an opportunity to own 33% of the complete catalog of Saunders’ studio albums. Included in this set is the Keystone Live Recordings Collection which contains the entire body of work from the influential Jerry Garcia/Merl Saunders 25-year musical partnership.
Saunder’s catalog also features his numerous collaborations with The Grateful Dead, David Grisman, Bonnie Raitt and many others. Also offered in this auction are the future royalties from 200+ previously unreleased masters of Jerry Garcia-Merl Saunders live shows as well as the future royalty rights to the very popular Legion of Mary and Jerry Garcia Band: Live at Berkeley 1973 and 1974 recordings.
As a bonus, the highest bidder will received tickets to a private tribute concert of the Keystone Companions collection by Merl Saunders’ son, Tony Saunders, and Keystone Revisited. In addition, the lucky buyer will get a professional platinum record plaque that showcases ownership of the catalog.
To view this auction please go to http://www.songvest.com/category/362/Rock/listings/316/Garcia-and-Saunders-Catalog.html
The exclusive auction of Prince’s first-ever professional recording on guitar starts today at www.SongVest.com. This event offers the original 2” recording master (and the safety copy) with the original separated tracks of Prince performing at age 17 with Pepé Willie and the 94 East band on The Cookhouse Five album.
This special auction offers the rare opportunity for ownership of the copyright as well as the legal rights to market and promote the recording. This 1975 album is slice of history – recorded at Cookhouse Studios in Minneapolis; this is the beginning of a remarkable career where Prince began to define the Minneapolis Sound!
To view this auction please go to: http://www.songvest.com/category/362/Rock/listings/317/Prince-(feat-94-East).html.
The bonus packed Jerry Garcia/Merl Saunders’ SongVest auction celebrates the recent release of the highly anticipated “Keystone Companions” recordings. This is an opportunity to own 33% of the complete catalog of Saunders’ studio albums. Included in this set is the Keystone Live Recordings Collection which contains the entire body of work from the influential Jerry Garcia/Merl Saunders 25-year musical partnership.
Saunder’s catalog also features his numerous collaborations with The Grateful Dead, David Grisman, Bonnie Raitt and many others. Also offered in this auction are the future royalties from 200+ previously unreleased masters of Jerry Garcia-Merl Saunders live shows as well as the future royalty rights to the very popular Legion of Mary and Jerry Garcia Band: Live at Berkeley 1973 and 1974 recordings.
As a bonus, the highest bidder will received tickets to a private tribute concert of the Keystone Companions collection by Merl Saunders’ son, Tony Saunders, and Keystone Revisited. In addition, the lucky buyer will get a professional platinum record plaque that showcases ownership of the catalog.
To view this auction please go to http://www.songvest.com/category/362/Rock/listings/316/Garcia-and-Saunders-Catalog.html
The exclusive auction of Prince’s first-ever professional recording on guitar starts today at www.SongVest.com. This event offers the original 2” recording master (and the safety copy) with the original separated tracks of Prince performing at age 17 with Pepé Willie and the 94 East band on The Cookhouse Five album.
This special auction offers the rare opportunity for ownership of the copyright as well as the legal rights to market and promote the recording. This 1975 album is slice of history – recorded at Cookhouse Studios in Minneapolis; this is the beginning of a remarkable career where Prince began to define the Minneapolis Sound!
To view this auction please go to: http://www.songvest.com/category/362/Rock/listings/317/Prince-(feat-94-East).html.
The Doors "Live At The Bowl '68" Debuts At #1 With Theatrical Screenings To Follow
To contact us Click HERE
The Doors' newly released Live At The Bowl ’68 makes an impressive debut at #1 on the Billboard Top Music Video Chart.
Live At The Bowl ’68 features a newly restored version of the band’s the legendary 1968 Hollywood Bowl concert. For the first time, the film from the historic performance has been painstakingly restored using the original camera negatives and the audio has been remixed and mastered from original multitracks by the group’s engineer and co-producer Bruce Botnick.
This new restoration offers a stunning visual upgrade from earlier versions and will give fans the closest experience to being there live alongside Jim Morrison, John Densmore, Robby Krieger and Ray Manzarek, who opined, “You can hear it as if you were at the Hollywood Bowl, on stage with us.”
Check out our review of the Live At The Bowl ’68 Blu-Ray.
Live At The Bowl ’68 will also debut theatrically later this week with several exclusive “one night only” screenings. The first screenings are set to begin on November 6 and will continue in select markets across the U.S. throughout the month of November. For a list of specific theaters and dates, please visit www.thedoors.com/liveatthebowl.html.
A trailer for the film can be viewed at http://youtu.be/o5nQr7fzS9Y.
Live At The Bowl ’68 features a newly restored version of the band’s the legendary 1968 Hollywood Bowl concert. For the first time, the film from the historic performance has been painstakingly restored using the original camera negatives and the audio has been remixed and mastered from original multitracks by the group’s engineer and co-producer Bruce Botnick.
This new restoration offers a stunning visual upgrade from earlier versions and will give fans the closest experience to being there live alongside Jim Morrison, John Densmore, Robby Krieger and Ray Manzarek, who opined, “You can hear it as if you were at the Hollywood Bowl, on stage with us.”
Check out our review of the Live At The Bowl ’68 Blu-Ray.
Live At The Bowl ’68 will also debut theatrically later this week with several exclusive “one night only” screenings. The first screenings are set to begin on November 6 and will continue in select markets across the U.S. throughout the month of November. For a list of specific theaters and dates, please visit www.thedoors.com/liveatthebowl.html.
A trailer for the film can be viewed at http://youtu.be/o5nQr7fzS9Y.
Mick Jagger's Love Letters Up For Auction
To contact us Click HERE
Love letters written by Rolling Stones frontman Mick Jagger to American singer Marsha Hunt, discussing poetry and his personal turmoil, will hit the auction block next month.
Hunt, with whom Jagger had his first child, Karis, told Britain's Guardian newspaper she was selling the letters, written in July and August 1969, because she had been unable to pay her bills.
"I'm broke," Hunt, who lives in France, told the newspaper.
The Guardian said on Friday the 10 letters would be sold by Sotheby's on December 12.
The auction house values the letters from between 70,000 and 100,000 pounds ($111,000-$160,000).
Jagger wrote them to Hunt while filming the Tony Richardson movie Ned Kelly in Australia.
They are described as showing a sensitive side of the then-young singer, who wrote about the poetry of Emily Dickinson, meeting author Christopher Isherwood and an unrealized multimedia project.
Jagger's relationship with Hunt, who is African-American, was kept under wraps until 1972.
"The sale is important," Hunt told The Guardian. "Someone, I hope, will buy those letters as our generation is dying and with us will go the reality of who we were and what life was."
Hunt has said she was the inspiration for the Rolling Stones' song "Brown Sugar," which Jagger wrote while in Australia.
The rock star also cites in the letters the disintegration of his relationship with singer Marianne Faithful, whom he was also dating at the time, and the death of Rolling Stones' guitarist Brian Jones.
Hunt, with whom Jagger had his first child, Karis, told Britain's Guardian newspaper she was selling the letters, written in July and August 1969, because she had been unable to pay her bills.
"I'm broke," Hunt, who lives in France, told the newspaper.
The Guardian said on Friday the 10 letters would be sold by Sotheby's on December 12.
The auction house values the letters from between 70,000 and 100,000 pounds ($111,000-$160,000).
Jagger wrote them to Hunt while filming the Tony Richardson movie Ned Kelly in Australia.
They are described as showing a sensitive side of the then-young singer, who wrote about the poetry of Emily Dickinson, meeting author Christopher Isherwood and an unrealized multimedia project.
Jagger's relationship with Hunt, who is African-American, was kept under wraps until 1972.
"The sale is important," Hunt told The Guardian. "Someone, I hope, will buy those letters as our generation is dying and with us will go the reality of who we were and what life was."
Hunt has said she was the inspiration for the Rolling Stones' song "Brown Sugar," which Jagger wrote while in Australia.
The rock star also cites in the letters the disintegration of his relationship with singer Marianne Faithful, whom he was also dating at the time, and the death of Rolling Stones' guitarist Brian Jones.
Springsteen, McCartney To Perform Concert For Sandy's Victims
To contact us Click HERE
Bruce Springsteen and the E Street Band, Paul McCartney, Kanye West and Jon Bon Jovi will perform at a special "12.12.12" Concert for Sandy Relief at Madison Square Garden next month, according to organizers.
The Who, Roger Waters, Billy Joel and Alicia Keys have also signed up for the December 12 event, which its producers said is shaping up to be a showcase of rock royalty.
"The response from the entertainment community to help those most affected by Hurricane Sandy has been nothing short of astounding," the Madison Square Garden Company, Clear Channel Media and Entertainment and The Weinstein Company said in a joint statement.
"We expect to announce additional legendary performers in the near future and we are confident that the event will ensure those in need will not be forgotten, and vital aid will be directed to rebuilding our communities along the East Coast."
More than 130 people were killed when the superstorm pummeled the east coast of the United States late last month. Thousands more were left homeless as the storm tore through areas of New York, New Jersey and Connecticut, causing an estimated $50 billion in damage.
Donations raised from the one-night event concert will go to the Robin Hood Relief Fund, which will provide money and materials to groups helping people hardest hit by the storm.
The organizers of the concert also produced the 9/11 benefit The Concert for New York City in 2001, which raised more than $30 million.
A concert and telethon on NBC earlier this month raised almost $23 million for people affected by the storm.
The Who, Roger Waters, Billy Joel and Alicia Keys have also signed up for the December 12 event, which its producers said is shaping up to be a showcase of rock royalty.
"The response from the entertainment community to help those most affected by Hurricane Sandy has been nothing short of astounding," the Madison Square Garden Company, Clear Channel Media and Entertainment and The Weinstein Company said in a joint statement.
"We expect to announce additional legendary performers in the near future and we are confident that the event will ensure those in need will not be forgotten, and vital aid will be directed to rebuilding our communities along the East Coast."
More than 130 people were killed when the superstorm pummeled the east coast of the United States late last month. Thousands more were left homeless as the storm tore through areas of New York, New Jersey and Connecticut, causing an estimated $50 billion in damage.
Donations raised from the one-night event concert will go to the Robin Hood Relief Fund, which will provide money and materials to groups helping people hardest hit by the storm.
The organizers of the concert also produced the 9/11 benefit The Concert for New York City in 2001, which raised more than $30 million.
A concert and telethon on NBC earlier this month raised almost $23 million for people affected by the storm.
28 Kasım 2012 Çarşamba
Video Clips from LA BOHÈME - Central City Opera's 2012 production
To contact us Click HERE
Central City Opera's La Bohème continues through August 12th. To whet your appetite, enjoy these snippets from the production.
From Act One, an excerpt of "O soave fanciulla" with Mimi & Rodolfo:
From Act Two in the Café Momus:
From Act Three with Marcello & Mimi:
Glimpses of Central City Opera's 2012 production of LA BOHÈME
Music by Giacomo Puccini
Libretto by Giacosa and Illica
Based upon Henri Murder's 1849 novel SCÈNES DE LA VIE BOHÈME
Conductor: John Baril
Director: Kevin Newbury
Assistant Director: R. B. Schlather
Scenic Designer: David Korins
Costume Designer: Jessica Jahn
Lighting Designer: David Martin Jacques
Wig/Makeup Designer: Dave Bova
Associate Conductor: Adam Turner
Musetta: Deborah Selig
Marcello: Troy Cook
Rodolfo: Eric Margiore
Mimi: Elizabeth Caballero
Colline: Ryan Speedo Green
Schaunard: Chris Carr
Alcindoro: Thomas Goerz
Performed by the Central City Opera Festival Orchestra
Visit the La Bohème website for more information.
From Act One, an excerpt of "O soave fanciulla" with Mimi & Rodolfo:
From Act Two in the Café Momus:
From Act Three with Marcello & Mimi:
Glimpses of Central City Opera's 2012 production of LA BOHÈME
Music by Giacomo Puccini
Libretto by Giacosa and Illica
Based upon Henri Murder's 1849 novel SCÈNES DE LA VIE BOHÈME
Conductor: John Baril
Director: Kevin Newbury
Assistant Director: R. B. Schlather
Scenic Designer: David Korins
Costume Designer: Jessica Jahn
Lighting Designer: David Martin Jacques
Wig/Makeup Designer: Dave Bova
Associate Conductor: Adam Turner
Musetta: Deborah Selig
Marcello: Troy Cook
Rodolfo: Eric Margiore
Mimi: Elizabeth Caballero
Colline: Ryan Speedo Green
Schaunard: Chris Carr
Alcindoro: Thomas Goerz
Performed by the Central City Opera Festival Orchestra
Visit the La Bohème website for more information.
Encore Screenings Of Led Zeppelin's Celebration Day Being Added
To contact us Click HERE
Following the worldwide success of Led Zeppelin's Celebration Day, the cinema concert event which presented live footage of the band’s 2007 reunion concert at London’s O2 Arena, there has been an enormous response from fans – 1.7 million fans have visited the fan’s website.
The film was screened in 15,000 cinemas around the world for a strictly limited engagement on Wednesday, October 17, 2012. Fans who were unable to attend the original tribute concert for Atlantic Records founder Ahmet Ertegun in 2007, when more than 20 million fans applied for the 18,000 available tickets in a worldwide lottery, finally had the opportunity to see it as if they had front row tickets. The film earned $2 million in a single night and was a phenomenal success.
Omniverse Vision, the UK-based distribution company that released Celebration Day, a two-hour-plus tour de force of Zeppelin’s signature blues-infused rock ‘n’ roll, has been working with online marketing specialist Distrify to track the response from fans online via an interactive platform on the Led Zeppelin website. With 100,000 hits a day, including 46,000 searches for show times and 4,000 requests for local screenings, Distrify has been able to compile the information needed for Omniverse Vision executives to agree to schedule encore performances in select markets to meet the demands of Led Zeppelin’s fans. There has been overwhelming interest in additional screenings from the U.S., the UK, Japan, Brazil, Canada, Italy, Germany, France, Mexico and Australia.
For younger fans, this film may be the first time that they will see founding members John Paul Jones, Jimmy Page and Robert Plant, along with Jason Bonham, son of the late Led Zeppelin drummer John Bonham, together on stage. For older fans, this might be their last chance to see these iconic rockers perform 16 songs from their iconic catalog. The band made it all too clear in press conferences announcing Celebration Day that there were no plans for a reunion tour. The set list for the cinema concert event includes:
1. Good Times Bad Times
2. Ramble On
3. Black Dog
4. In My Time Of Dying
5. For Your Life
6. Trampled Under Foot
7. Nobody’s Fault But Mine
8. No Quarter
9. Since I’ve Been Loving You
10. Dazed And Confused
11. Stairway To Heaven
12. The Song Remains The Same
13. Misty Mountain Hop
14. Kashmir
15. Whole Lotta Love
16. Rock And Roll
Celebration Day will be presented in high definition with surround sound in movie theatres for an encore performance on Tuesday, November 13. Tickets are limited.
For a list of theatres and show times, please refer to the Led Zeppelin website.
Celebration Day will then be available in multiple video and audio formats on November 19, 2012 from Swan Song/Atlantic Records.
The film was screened in 15,000 cinemas around the world for a strictly limited engagement on Wednesday, October 17, 2012. Fans who were unable to attend the original tribute concert for Atlantic Records founder Ahmet Ertegun in 2007, when more than 20 million fans applied for the 18,000 available tickets in a worldwide lottery, finally had the opportunity to see it as if they had front row tickets. The film earned $2 million in a single night and was a phenomenal success.
Omniverse Vision, the UK-based distribution company that released Celebration Day, a two-hour-plus tour de force of Zeppelin’s signature blues-infused rock ‘n’ roll, has been working with online marketing specialist Distrify to track the response from fans online via an interactive platform on the Led Zeppelin website. With 100,000 hits a day, including 46,000 searches for show times and 4,000 requests for local screenings, Distrify has been able to compile the information needed for Omniverse Vision executives to agree to schedule encore performances in select markets to meet the demands of Led Zeppelin’s fans. There has been overwhelming interest in additional screenings from the U.S., the UK, Japan, Brazil, Canada, Italy, Germany, France, Mexico and Australia.
For younger fans, this film may be the first time that they will see founding members John Paul Jones, Jimmy Page and Robert Plant, along with Jason Bonham, son of the late Led Zeppelin drummer John Bonham, together on stage. For older fans, this might be their last chance to see these iconic rockers perform 16 songs from their iconic catalog. The band made it all too clear in press conferences announcing Celebration Day that there were no plans for a reunion tour. The set list for the cinema concert event includes:
1. Good Times Bad Times
2. Ramble On
3. Black Dog
4. In My Time Of Dying
5. For Your Life
6. Trampled Under Foot
7. Nobody’s Fault But Mine
8. No Quarter
9. Since I’ve Been Loving You
10. Dazed And Confused
11. Stairway To Heaven
12. The Song Remains The Same
13. Misty Mountain Hop
14. Kashmir
15. Whole Lotta Love
16. Rock And Roll
Celebration Day will be presented in high definition with surround sound in movie theatres for an encore performance on Tuesday, November 13. Tickets are limited.
For a list of theatres and show times, please refer to the Led Zeppelin website.
Celebration Day will then be available in multiple video and audio formats on November 19, 2012 from Swan Song/Atlantic Records.
Mick Jagger's Love Letters Up For Auction
To contact us Click HERE
Love letters written by Rolling Stones frontman Mick Jagger to American singer Marsha Hunt, discussing poetry and his personal turmoil, will hit the auction block next month.
Hunt, with whom Jagger had his first child, Karis, told Britain's Guardian newspaper she was selling the letters, written in July and August 1969, because she had been unable to pay her bills.
"I'm broke," Hunt, who lives in France, told the newspaper.
The Guardian said on Friday the 10 letters would be sold by Sotheby's on December 12.
The auction house values the letters from between 70,000 and 100,000 pounds ($111,000-$160,000).
Jagger wrote them to Hunt while filming the Tony Richardson movie Ned Kelly in Australia.
They are described as showing a sensitive side of the then-young singer, who wrote about the poetry of Emily Dickinson, meeting author Christopher Isherwood and an unrealized multimedia project.
Jagger's relationship with Hunt, who is African-American, was kept under wraps until 1972.
"The sale is important," Hunt told The Guardian. "Someone, I hope, will buy those letters as our generation is dying and with us will go the reality of who we were and what life was."
Hunt has said she was the inspiration for the Rolling Stones' song "Brown Sugar," which Jagger wrote while in Australia.
The rock star also cites in the letters the disintegration of his relationship with singer Marianne Faithful, whom he was also dating at the time, and the death of Rolling Stones' guitarist Brian Jones.
Hunt, with whom Jagger had his first child, Karis, told Britain's Guardian newspaper she was selling the letters, written in July and August 1969, because she had been unable to pay her bills.
"I'm broke," Hunt, who lives in France, told the newspaper.
The Guardian said on Friday the 10 letters would be sold by Sotheby's on December 12.
The auction house values the letters from between 70,000 and 100,000 pounds ($111,000-$160,000).
Jagger wrote them to Hunt while filming the Tony Richardson movie Ned Kelly in Australia.
They are described as showing a sensitive side of the then-young singer, who wrote about the poetry of Emily Dickinson, meeting author Christopher Isherwood and an unrealized multimedia project.
Jagger's relationship with Hunt, who is African-American, was kept under wraps until 1972.
"The sale is important," Hunt told The Guardian. "Someone, I hope, will buy those letters as our generation is dying and with us will go the reality of who we were and what life was."
Hunt has said she was the inspiration for the Rolling Stones' song "Brown Sugar," which Jagger wrote while in Australia.
The rock star also cites in the letters the disintegration of his relationship with singer Marianne Faithful, whom he was also dating at the time, and the death of Rolling Stones' guitarist Brian Jones.
Springsteen, McCartney To Perform Concert For Sandy's Victims
To contact us Click HERE
Bruce Springsteen and the E Street Band, Paul McCartney, Kanye West and Jon Bon Jovi will perform at a special "12.12.12" Concert for Sandy Relief at Madison Square Garden next month, according to organizers.
The Who, Roger Waters, Billy Joel and Alicia Keys have also signed up for the December 12 event, which its producers said is shaping up to be a showcase of rock royalty.
"The response from the entertainment community to help those most affected by Hurricane Sandy has been nothing short of astounding," the Madison Square Garden Company, Clear Channel Media and Entertainment and The Weinstein Company said in a joint statement.
"We expect to announce additional legendary performers in the near future and we are confident that the event will ensure those in need will not be forgotten, and vital aid will be directed to rebuilding our communities along the East Coast."
More than 130 people were killed when the superstorm pummeled the east coast of the United States late last month. Thousands more were left homeless as the storm tore through areas of New York, New Jersey and Connecticut, causing an estimated $50 billion in damage.
Donations raised from the one-night event concert will go to the Robin Hood Relief Fund, which will provide money and materials to groups helping people hardest hit by the storm.
The organizers of the concert also produced the 9/11 benefit The Concert for New York City in 2001, which raised more than $30 million.
A concert and telethon on NBC earlier this month raised almost $23 million for people affected by the storm.
The Who, Roger Waters, Billy Joel and Alicia Keys have also signed up for the December 12 event, which its producers said is shaping up to be a showcase of rock royalty.
"The response from the entertainment community to help those most affected by Hurricane Sandy has been nothing short of astounding," the Madison Square Garden Company, Clear Channel Media and Entertainment and The Weinstein Company said in a joint statement.
"We expect to announce additional legendary performers in the near future and we are confident that the event will ensure those in need will not be forgotten, and vital aid will be directed to rebuilding our communities along the East Coast."
More than 130 people were killed when the superstorm pummeled the east coast of the United States late last month. Thousands more were left homeless as the storm tore through areas of New York, New Jersey and Connecticut, causing an estimated $50 billion in damage.
Donations raised from the one-night event concert will go to the Robin Hood Relief Fund, which will provide money and materials to groups helping people hardest hit by the storm.
The organizers of the concert also produced the 9/11 benefit The Concert for New York City in 2001, which raised more than $30 million.
A concert and telethon on NBC earlier this month raised almost $23 million for people affected by the storm.
New Jimi Hendrix Music Coming In 2013
To contact us Click HERE
A new Jimi Hendrix album is coming March 5, 2013.
According to the Jimi Hendrix website says People, Hell and Angels contains 12 previously unreleased tracks recorded in 1968 and '69.
Hendrix recorded the songs apart from the Jimi Hendrix Experience as he considered new, experimental directions for his follow-up to Electric Ladyland.
He plays keyboards, percussion and a second guitar on the album.
According to the Jimi Hendrix website says People, Hell and Angels contains 12 previously unreleased tracks recorded in 1968 and '69.
Hendrix recorded the songs apart from the Jimi Hendrix Experience as he considered new, experimental directions for his follow-up to Electric Ladyland.
He plays keyboards, percussion and a second guitar on the album.
27 Kasım 2012 Salı
The Doors "Live At The Bowl '68" Debuts At #1 With Theatrical Screenings To Follow
To contact us Click HERE
The Doors' newly released Live At The Bowl ’68 makes an impressive debut at #1 on the Billboard Top Music Video Chart.
Live At The Bowl ’68 features a newly restored version of the band’s the legendary 1968 Hollywood Bowl concert. For the first time, the film from the historic performance has been painstakingly restored using the original camera negatives and the audio has been remixed and mastered from original multitracks by the group’s engineer and co-producer Bruce Botnick.
This new restoration offers a stunning visual upgrade from earlier versions and will give fans the closest experience to being there live alongside Jim Morrison, John Densmore, Robby Krieger and Ray Manzarek, who opined, “You can hear it as if you were at the Hollywood Bowl, on stage with us.”
Check out our review of the Live At The Bowl ’68 Blu-Ray.
Live At The Bowl ’68 will also debut theatrically later this week with several exclusive “one night only” screenings. The first screenings are set to begin on November 6 and will continue in select markets across the U.S. throughout the month of November. For a list of specific theaters and dates, please visit www.thedoors.com/liveatthebowl.html.
A trailer for the film can be viewed at http://youtu.be/o5nQr7fzS9Y.
Live At The Bowl ’68 features a newly restored version of the band’s the legendary 1968 Hollywood Bowl concert. For the first time, the film from the historic performance has been painstakingly restored using the original camera negatives and the audio has been remixed and mastered from original multitracks by the group’s engineer and co-producer Bruce Botnick.
This new restoration offers a stunning visual upgrade from earlier versions and will give fans the closest experience to being there live alongside Jim Morrison, John Densmore, Robby Krieger and Ray Manzarek, who opined, “You can hear it as if you were at the Hollywood Bowl, on stage with us.”
Check out our review of the Live At The Bowl ’68 Blu-Ray.
Live At The Bowl ’68 will also debut theatrically later this week with several exclusive “one night only” screenings. The first screenings are set to begin on November 6 and will continue in select markets across the U.S. throughout the month of November. For a list of specific theaters and dates, please visit www.thedoors.com/liveatthebowl.html.
A trailer for the film can be viewed at http://youtu.be/o5nQr7fzS9Y.
Encore Screenings Of Led Zeppelin's Celebration Day Being Added
To contact us Click HERE
Following the worldwide success of Led Zeppelin's Celebration Day, the cinema concert event which presented live footage of the band’s 2007 reunion concert at London’s O2 Arena, there has been an enormous response from fans – 1.7 million fans have visited the fan’s website.
The film was screened in 15,000 cinemas around the world for a strictly limited engagement on Wednesday, October 17, 2012. Fans who were unable to attend the original tribute concert for Atlantic Records founder Ahmet Ertegun in 2007, when more than 20 million fans applied for the 18,000 available tickets in a worldwide lottery, finally had the opportunity to see it as if they had front row tickets. The film earned $2 million in a single night and was a phenomenal success.
Omniverse Vision, the UK-based distribution company that released Celebration Day, a two-hour-plus tour de force of Zeppelin’s signature blues-infused rock ‘n’ roll, has been working with online marketing specialist Distrify to track the response from fans online via an interactive platform on the Led Zeppelin website. With 100,000 hits a day, including 46,000 searches for show times and 4,000 requests for local screenings, Distrify has been able to compile the information needed for Omniverse Vision executives to agree to schedule encore performances in select markets to meet the demands of Led Zeppelin’s fans. There has been overwhelming interest in additional screenings from the U.S., the UK, Japan, Brazil, Canada, Italy, Germany, France, Mexico and Australia.
For younger fans, this film may be the first time that they will see founding members John Paul Jones, Jimmy Page and Robert Plant, along with Jason Bonham, son of the late Led Zeppelin drummer John Bonham, together on stage. For older fans, this might be their last chance to see these iconic rockers perform 16 songs from their iconic catalog. The band made it all too clear in press conferences announcing Celebration Day that there were no plans for a reunion tour. The set list for the cinema concert event includes:
1. Good Times Bad Times
2. Ramble On
3. Black Dog
4. In My Time Of Dying
5. For Your Life
6. Trampled Under Foot
7. Nobody’s Fault But Mine
8. No Quarter
9. Since I’ve Been Loving You
10. Dazed And Confused
11. Stairway To Heaven
12. The Song Remains The Same
13. Misty Mountain Hop
14. Kashmir
15. Whole Lotta Love
16. Rock And Roll
Celebration Day will be presented in high definition with surround sound in movie theatres for an encore performance on Tuesday, November 13. Tickets are limited.
For a list of theatres and show times, please refer to the Led Zeppelin website.
Celebration Day will then be available in multiple video and audio formats on November 19, 2012 from Swan Song/Atlantic Records.
The film was screened in 15,000 cinemas around the world for a strictly limited engagement on Wednesday, October 17, 2012. Fans who were unable to attend the original tribute concert for Atlantic Records founder Ahmet Ertegun in 2007, when more than 20 million fans applied for the 18,000 available tickets in a worldwide lottery, finally had the opportunity to see it as if they had front row tickets. The film earned $2 million in a single night and was a phenomenal success.
Omniverse Vision, the UK-based distribution company that released Celebration Day, a two-hour-plus tour de force of Zeppelin’s signature blues-infused rock ‘n’ roll, has been working with online marketing specialist Distrify to track the response from fans online via an interactive platform on the Led Zeppelin website. With 100,000 hits a day, including 46,000 searches for show times and 4,000 requests for local screenings, Distrify has been able to compile the information needed for Omniverse Vision executives to agree to schedule encore performances in select markets to meet the demands of Led Zeppelin’s fans. There has been overwhelming interest in additional screenings from the U.S., the UK, Japan, Brazil, Canada, Italy, Germany, France, Mexico and Australia.
For younger fans, this film may be the first time that they will see founding members John Paul Jones, Jimmy Page and Robert Plant, along with Jason Bonham, son of the late Led Zeppelin drummer John Bonham, together on stage. For older fans, this might be their last chance to see these iconic rockers perform 16 songs from their iconic catalog. The band made it all too clear in press conferences announcing Celebration Day that there were no plans for a reunion tour. The set list for the cinema concert event includes:
1. Good Times Bad Times
2. Ramble On
3. Black Dog
4. In My Time Of Dying
5. For Your Life
6. Trampled Under Foot
7. Nobody’s Fault But Mine
8. No Quarter
9. Since I’ve Been Loving You
10. Dazed And Confused
11. Stairway To Heaven
12. The Song Remains The Same
13. Misty Mountain Hop
14. Kashmir
15. Whole Lotta Love
16. Rock And Roll
Celebration Day will be presented in high definition with surround sound in movie theatres for an encore performance on Tuesday, November 13. Tickets are limited.
For a list of theatres and show times, please refer to the Led Zeppelin website.
Celebration Day will then be available in multiple video and audio formats on November 19, 2012 from Swan Song/Atlantic Records.
Mick Jagger's Love Letters Up For Auction
To contact us Click HERE
Love letters written by Rolling Stones frontman Mick Jagger to American singer Marsha Hunt, discussing poetry and his personal turmoil, will hit the auction block next month.
Hunt, with whom Jagger had his first child, Karis, told Britain's Guardian newspaper she was selling the letters, written in July and August 1969, because she had been unable to pay her bills.
"I'm broke," Hunt, who lives in France, told the newspaper.
The Guardian said on Friday the 10 letters would be sold by Sotheby's on December 12.
The auction house values the letters from between 70,000 and 100,000 pounds ($111,000-$160,000).
Jagger wrote them to Hunt while filming the Tony Richardson movie Ned Kelly in Australia.
They are described as showing a sensitive side of the then-young singer, who wrote about the poetry of Emily Dickinson, meeting author Christopher Isherwood and an unrealized multimedia project.
Jagger's relationship with Hunt, who is African-American, was kept under wraps until 1972.
"The sale is important," Hunt told The Guardian. "Someone, I hope, will buy those letters as our generation is dying and with us will go the reality of who we were and what life was."
Hunt has said she was the inspiration for the Rolling Stones' song "Brown Sugar," which Jagger wrote while in Australia.
The rock star also cites in the letters the disintegration of his relationship with singer Marianne Faithful, whom he was also dating at the time, and the death of Rolling Stones' guitarist Brian Jones.
Hunt, with whom Jagger had his first child, Karis, told Britain's Guardian newspaper she was selling the letters, written in July and August 1969, because she had been unable to pay her bills.
"I'm broke," Hunt, who lives in France, told the newspaper.
The Guardian said on Friday the 10 letters would be sold by Sotheby's on December 12.
The auction house values the letters from between 70,000 and 100,000 pounds ($111,000-$160,000).
Jagger wrote them to Hunt while filming the Tony Richardson movie Ned Kelly in Australia.
They are described as showing a sensitive side of the then-young singer, who wrote about the poetry of Emily Dickinson, meeting author Christopher Isherwood and an unrealized multimedia project.
Jagger's relationship with Hunt, who is African-American, was kept under wraps until 1972.
"The sale is important," Hunt told The Guardian. "Someone, I hope, will buy those letters as our generation is dying and with us will go the reality of who we were and what life was."
Hunt has said she was the inspiration for the Rolling Stones' song "Brown Sugar," which Jagger wrote while in Australia.
The rock star also cites in the letters the disintegration of his relationship with singer Marianne Faithful, whom he was also dating at the time, and the death of Rolling Stones' guitarist Brian Jones.
Springsteen, McCartney To Perform Concert For Sandy's Victims
To contact us Click HERE
Bruce Springsteen and the E Street Band, Paul McCartney, Kanye West and Jon Bon Jovi will perform at a special "12.12.12" Concert for Sandy Relief at Madison Square Garden next month, according to organizers.
The Who, Roger Waters, Billy Joel and Alicia Keys have also signed up for the December 12 event, which its producers said is shaping up to be a showcase of rock royalty.
"The response from the entertainment community to help those most affected by Hurricane Sandy has been nothing short of astounding," the Madison Square Garden Company, Clear Channel Media and Entertainment and The Weinstein Company said in a joint statement.
"We expect to announce additional legendary performers in the near future and we are confident that the event will ensure those in need will not be forgotten, and vital aid will be directed to rebuilding our communities along the East Coast."
More than 130 people were killed when the superstorm pummeled the east coast of the United States late last month. Thousands more were left homeless as the storm tore through areas of New York, New Jersey and Connecticut, causing an estimated $50 billion in damage.
Donations raised from the one-night event concert will go to the Robin Hood Relief Fund, which will provide money and materials to groups helping people hardest hit by the storm.
The organizers of the concert also produced the 9/11 benefit The Concert for New York City in 2001, which raised more than $30 million.
A concert and telethon on NBC earlier this month raised almost $23 million for people affected by the storm.
The Who, Roger Waters, Billy Joel and Alicia Keys have also signed up for the December 12 event, which its producers said is shaping up to be a showcase of rock royalty.
"The response from the entertainment community to help those most affected by Hurricane Sandy has been nothing short of astounding," the Madison Square Garden Company, Clear Channel Media and Entertainment and The Weinstein Company said in a joint statement.
"We expect to announce additional legendary performers in the near future and we are confident that the event will ensure those in need will not be forgotten, and vital aid will be directed to rebuilding our communities along the East Coast."
More than 130 people were killed when the superstorm pummeled the east coast of the United States late last month. Thousands more were left homeless as the storm tore through areas of New York, New Jersey and Connecticut, causing an estimated $50 billion in damage.
Donations raised from the one-night event concert will go to the Robin Hood Relief Fund, which will provide money and materials to groups helping people hardest hit by the storm.
The organizers of the concert also produced the 9/11 benefit The Concert for New York City in 2001, which raised more than $30 million.
A concert and telethon on NBC earlier this month raised almost $23 million for people affected by the storm.
Former Who Manager Chris Stamp Dead At 70
To contact us Click HERE
On stage at Detroit's Joe Louis Arena on Saturday night (November 24), The Who's Roger Daltrey saluted Chris Stamp -- one of the two early managers that launched the group's success -- as a man "without whom we wouldn't be the band we were."
Stamp -- who not only co-managed The Who with the late Kit Lambert but also co-founded the group's Track Records label and executive produced most of its albums and film projects starting in 1968, died from cancer on Saturday at the age of 70 at Mount Sinai Hospital in New York City.
Daltrey went on to say that Stamp "flew into the universe on a pair of rainbow wings. Chris, we can never thank you enough -- well, I can't, for what you brought to my life" just before he and Pete Townshend performed a duo rendition of "Tea & Theatre" that, while not specifically dedicated to Stamp, certainly had the quiet and dignified air of a tribute.
Born and raised in London's East End, Stamp started out as filmmakers at Shepperton Film Studios, where he met Lambert. The two worked on projects such as I Could Go On Singing, Of Human Bondage and The L-Shaped Room before deciding in 1963 to make a film about the growing British rock scene, meeting The Who, then known as the High Numbers, when the group was playing at the Railway Hotel.
The filmmakers and the musicians became fast friends, and Daltrey referred to Stamp and Lambert as "the fifth and sixth members of The Who," with Stamp "the expert in cool, menace and scams." Stamp and Lambert bought out the High Numbers then-manager Peter Meaden, persuaded the quartet to re-adopt The Who moniker they'd been using previously and build on its popularity in Britain's Mod scene. They did make a film about the group -- a promotional piece that was sometimes shown before the group took the stage -- and encouraged The Who's early live performance mayhem, even tossing smoke bombs onto the stage themselves.
After The Who's first two albums, they started Track Records in 1966, though it began with releases of the Jimi Hendrix Experience single "Purple Haze" and the album Are You Experienced?, as well as the Crazy World of Arthur Brown's hit single "Fire" and early efforts by the Dutch band Golden Earring. Stamp's first Who production credit was for the Magic Bus album in 1968, and he also executive produced Tommy, Who's Next, Quadrophenia and the soundtrack for the 1975 Tommy feature film, as well as several Who compilations.
The band's relationship with both Stamp and Lambert eroded during the mid-70s, however. "They lived like rock stars, too," Townshend said last year, "and they really stopped functioning as managers -- or the type of managers they had been, and that we still needed."
The duo and The Who parted ways in 1975, with Stamp and Lambert moving to New York and continuing the Track label, with, among others, Labelle. Lambert died after suffering a brain hemorrhage in 1981, but Stamp entered rehab in 1987, cleaned up and became a therapist, specializing in psychodrama treatment and addiction counseling in New York. He also re-established and maintained a connection with The Who, appearing in documentaries and writing liner notes for the re-release of the A Quick One album in 1995. He also sat on the board of the John Entwistle Foundation started in memory of the late Who bassist.
The Who posted a message on its official web site calling Stamp's passing "hard to bear" and promising a tribute would follow. Stamp is survived by Calixte, his wife of 22 years, his two married daughters and several grandchildren.
Stamp -- who not only co-managed The Who with the late Kit Lambert but also co-founded the group's Track Records label and executive produced most of its albums and film projects starting in 1968, died from cancer on Saturday at the age of 70 at Mount Sinai Hospital in New York City.
Daltrey went on to say that Stamp "flew into the universe on a pair of rainbow wings. Chris, we can never thank you enough -- well, I can't, for what you brought to my life" just before he and Pete Townshend performed a duo rendition of "Tea & Theatre" that, while not specifically dedicated to Stamp, certainly had the quiet and dignified air of a tribute.
Born and raised in London's East End, Stamp started out as filmmakers at Shepperton Film Studios, where he met Lambert. The two worked on projects such as I Could Go On Singing, Of Human Bondage and The L-Shaped Room before deciding in 1963 to make a film about the growing British rock scene, meeting The Who, then known as the High Numbers, when the group was playing at the Railway Hotel.
The filmmakers and the musicians became fast friends, and Daltrey referred to Stamp and Lambert as "the fifth and sixth members of The Who," with Stamp "the expert in cool, menace and scams." Stamp and Lambert bought out the High Numbers then-manager Peter Meaden, persuaded the quartet to re-adopt The Who moniker they'd been using previously and build on its popularity in Britain's Mod scene. They did make a film about the group -- a promotional piece that was sometimes shown before the group took the stage -- and encouraged The Who's early live performance mayhem, even tossing smoke bombs onto the stage themselves.
After The Who's first two albums, they started Track Records in 1966, though it began with releases of the Jimi Hendrix Experience single "Purple Haze" and the album Are You Experienced?, as well as the Crazy World of Arthur Brown's hit single "Fire" and early efforts by the Dutch band Golden Earring. Stamp's first Who production credit was for the Magic Bus album in 1968, and he also executive produced Tommy, Who's Next, Quadrophenia and the soundtrack for the 1975 Tommy feature film, as well as several Who compilations.
The band's relationship with both Stamp and Lambert eroded during the mid-70s, however. "They lived like rock stars, too," Townshend said last year, "and they really stopped functioning as managers -- or the type of managers they had been, and that we still needed."
The duo and The Who parted ways in 1975, with Stamp and Lambert moving to New York and continuing the Track label, with, among others, Labelle. Lambert died after suffering a brain hemorrhage in 1981, but Stamp entered rehab in 1987, cleaned up and became a therapist, specializing in psychodrama treatment and addiction counseling in New York. He also re-established and maintained a connection with The Who, appearing in documentaries and writing liner notes for the re-release of the A Quick One album in 1995. He also sat on the board of the John Entwistle Foundation started in memory of the late Who bassist.
The Who posted a message on its official web site calling Stamp's passing "hard to bear" and promising a tribute would follow. Stamp is survived by Calixte, his wife of 22 years, his two married daughters and several grandchildren.
26 Kasım 2012 Pazartesi
The Doors "Live At The Bowl '68" Debuts At #1 With Theatrical Screenings To Follow
To contact us Click HERE
The Doors' newly released Live At The Bowl ’68 makes an impressive debut at #1 on the Billboard Top Music Video Chart.
Live At The Bowl ’68 features a newly restored version of the band’s the legendary 1968 Hollywood Bowl concert. For the first time, the film from the historic performance has been painstakingly restored using the original camera negatives and the audio has been remixed and mastered from original multitracks by the group’s engineer and co-producer Bruce Botnick.
This new restoration offers a stunning visual upgrade from earlier versions and will give fans the closest experience to being there live alongside Jim Morrison, John Densmore, Robby Krieger and Ray Manzarek, who opined, “You can hear it as if you were at the Hollywood Bowl, on stage with us.”
Check out our review of the Live At The Bowl ’68 Blu-Ray.
Live At The Bowl ’68 will also debut theatrically later this week with several exclusive “one night only” screenings. The first screenings are set to begin on November 6 and will continue in select markets across the U.S. throughout the month of November. For a list of specific theaters and dates, please visit www.thedoors.com/liveatthebowl.html.
A trailer for the film can be viewed at http://youtu.be/o5nQr7fzS9Y.
Live At The Bowl ’68 features a newly restored version of the band’s the legendary 1968 Hollywood Bowl concert. For the first time, the film from the historic performance has been painstakingly restored using the original camera negatives and the audio has been remixed and mastered from original multitracks by the group’s engineer and co-producer Bruce Botnick.
This new restoration offers a stunning visual upgrade from earlier versions and will give fans the closest experience to being there live alongside Jim Morrison, John Densmore, Robby Krieger and Ray Manzarek, who opined, “You can hear it as if you were at the Hollywood Bowl, on stage with us.”
Check out our review of the Live At The Bowl ’68 Blu-Ray.
Live At The Bowl ’68 will also debut theatrically later this week with several exclusive “one night only” screenings. The first screenings are set to begin on November 6 and will continue in select markets across the U.S. throughout the month of November. For a list of specific theaters and dates, please visit www.thedoors.com/liveatthebowl.html.
A trailer for the film can be viewed at http://youtu.be/o5nQr7fzS9Y.
Encore Screenings Of Led Zeppelin's Celebration Day Being Added
To contact us Click HERE
Following the worldwide success of Led Zeppelin's Celebration Day, the cinema concert event which presented live footage of the band’s 2007 reunion concert at London’s O2 Arena, there has been an enormous response from fans – 1.7 million fans have visited the fan’s website.
The film was screened in 15,000 cinemas around the world for a strictly limited engagement on Wednesday, October 17, 2012. Fans who were unable to attend the original tribute concert for Atlantic Records founder Ahmet Ertegun in 2007, when more than 20 million fans applied for the 18,000 available tickets in a worldwide lottery, finally had the opportunity to see it as if they had front row tickets. The film earned $2 million in a single night and was a phenomenal success.
Omniverse Vision, the UK-based distribution company that released Celebration Day, a two-hour-plus tour de force of Zeppelin’s signature blues-infused rock ‘n’ roll, has been working with online marketing specialist Distrify to track the response from fans online via an interactive platform on the Led Zeppelin website. With 100,000 hits a day, including 46,000 searches for show times and 4,000 requests for local screenings, Distrify has been able to compile the information needed for Omniverse Vision executives to agree to schedule encore performances in select markets to meet the demands of Led Zeppelin’s fans. There has been overwhelming interest in additional screenings from the U.S., the UK, Japan, Brazil, Canada, Italy, Germany, France, Mexico and Australia.
For younger fans, this film may be the first time that they will see founding members John Paul Jones, Jimmy Page and Robert Plant, along with Jason Bonham, son of the late Led Zeppelin drummer John Bonham, together on stage. For older fans, this might be their last chance to see these iconic rockers perform 16 songs from their iconic catalog. The band made it all too clear in press conferences announcing Celebration Day that there were no plans for a reunion tour. The set list for the cinema concert event includes:
1. Good Times Bad Times
2. Ramble On
3. Black Dog
4. In My Time Of Dying
5. For Your Life
6. Trampled Under Foot
7. Nobody’s Fault But Mine
8. No Quarter
9. Since I’ve Been Loving You
10. Dazed And Confused
11. Stairway To Heaven
12. The Song Remains The Same
13. Misty Mountain Hop
14. Kashmir
15. Whole Lotta Love
16. Rock And Roll
Celebration Day will be presented in high definition with surround sound in movie theatres for an encore performance on Tuesday, November 13. Tickets are limited.
For a list of theatres and show times, please refer to the Led Zeppelin website.
Celebration Day will then be available in multiple video and audio formats on November 19, 2012 from Swan Song/Atlantic Records.
The film was screened in 15,000 cinemas around the world for a strictly limited engagement on Wednesday, October 17, 2012. Fans who were unable to attend the original tribute concert for Atlantic Records founder Ahmet Ertegun in 2007, when more than 20 million fans applied for the 18,000 available tickets in a worldwide lottery, finally had the opportunity to see it as if they had front row tickets. The film earned $2 million in a single night and was a phenomenal success.
Omniverse Vision, the UK-based distribution company that released Celebration Day, a two-hour-plus tour de force of Zeppelin’s signature blues-infused rock ‘n’ roll, has been working with online marketing specialist Distrify to track the response from fans online via an interactive platform on the Led Zeppelin website. With 100,000 hits a day, including 46,000 searches for show times and 4,000 requests for local screenings, Distrify has been able to compile the information needed for Omniverse Vision executives to agree to schedule encore performances in select markets to meet the demands of Led Zeppelin’s fans. There has been overwhelming interest in additional screenings from the U.S., the UK, Japan, Brazil, Canada, Italy, Germany, France, Mexico and Australia.
For younger fans, this film may be the first time that they will see founding members John Paul Jones, Jimmy Page and Robert Plant, along with Jason Bonham, son of the late Led Zeppelin drummer John Bonham, together on stage. For older fans, this might be their last chance to see these iconic rockers perform 16 songs from their iconic catalog. The band made it all too clear in press conferences announcing Celebration Day that there were no plans for a reunion tour. The set list for the cinema concert event includes:
1. Good Times Bad Times
2. Ramble On
3. Black Dog
4. In My Time Of Dying
5. For Your Life
6. Trampled Under Foot
7. Nobody’s Fault But Mine
8. No Quarter
9. Since I’ve Been Loving You
10. Dazed And Confused
11. Stairway To Heaven
12. The Song Remains The Same
13. Misty Mountain Hop
14. Kashmir
15. Whole Lotta Love
16. Rock And Roll
Celebration Day will be presented in high definition with surround sound in movie theatres for an encore performance on Tuesday, November 13. Tickets are limited.
For a list of theatres and show times, please refer to the Led Zeppelin website.
Celebration Day will then be available in multiple video and audio formats on November 19, 2012 from Swan Song/Atlantic Records.
Mick Jagger's Love Letters Up For Auction
To contact us Click HERE
Love letters written by Rolling Stones frontman Mick Jagger to American singer Marsha Hunt, discussing poetry and his personal turmoil, will hit the auction block next month.
Hunt, with whom Jagger had his first child, Karis, told Britain's Guardian newspaper she was selling the letters, written in July and August 1969, because she had been unable to pay her bills.
"I'm broke," Hunt, who lives in France, told the newspaper.
The Guardian said on Friday the 10 letters would be sold by Sotheby's on December 12.
The auction house values the letters from between 70,000 and 100,000 pounds ($111,000-$160,000).
Jagger wrote them to Hunt while filming the Tony Richardson movie Ned Kelly in Australia.
They are described as showing a sensitive side of the then-young singer, who wrote about the poetry of Emily Dickinson, meeting author Christopher Isherwood and an unrealized multimedia project.
Jagger's relationship with Hunt, who is African-American, was kept under wraps until 1972.
"The sale is important," Hunt told The Guardian. "Someone, I hope, will buy those letters as our generation is dying and with us will go the reality of who we were and what life was."
Hunt has said she was the inspiration for the Rolling Stones' song "Brown Sugar," which Jagger wrote while in Australia.
The rock star also cites in the letters the disintegration of his relationship with singer Marianne Faithful, whom he was also dating at the time, and the death of Rolling Stones' guitarist Brian Jones.
Hunt, with whom Jagger had his first child, Karis, told Britain's Guardian newspaper she was selling the letters, written in July and August 1969, because she had been unable to pay her bills.
"I'm broke," Hunt, who lives in France, told the newspaper.
The Guardian said on Friday the 10 letters would be sold by Sotheby's on December 12.
The auction house values the letters from between 70,000 and 100,000 pounds ($111,000-$160,000).
Jagger wrote them to Hunt while filming the Tony Richardson movie Ned Kelly in Australia.
They are described as showing a sensitive side of the then-young singer, who wrote about the poetry of Emily Dickinson, meeting author Christopher Isherwood and an unrealized multimedia project.
Jagger's relationship with Hunt, who is African-American, was kept under wraps until 1972.
"The sale is important," Hunt told The Guardian. "Someone, I hope, will buy those letters as our generation is dying and with us will go the reality of who we were and what life was."
Hunt has said she was the inspiration for the Rolling Stones' song "Brown Sugar," which Jagger wrote while in Australia.
The rock star also cites in the letters the disintegration of his relationship with singer Marianne Faithful, whom he was also dating at the time, and the death of Rolling Stones' guitarist Brian Jones.
Springsteen, McCartney To Perform Concert For Sandy's Victims
To contact us Click HERE
Bruce Springsteen and the E Street Band, Paul McCartney, Kanye West and Jon Bon Jovi will perform at a special "12.12.12" Concert for Sandy Relief at Madison Square Garden next month, according to organizers.
The Who, Roger Waters, Billy Joel and Alicia Keys have also signed up for the December 12 event, which its producers said is shaping up to be a showcase of rock royalty.
"The response from the entertainment community to help those most affected by Hurricane Sandy has been nothing short of astounding," the Madison Square Garden Company, Clear Channel Media and Entertainment and The Weinstein Company said in a joint statement.
"We expect to announce additional legendary performers in the near future and we are confident that the event will ensure those in need will not be forgotten, and vital aid will be directed to rebuilding our communities along the East Coast."
More than 130 people were killed when the superstorm pummeled the east coast of the United States late last month. Thousands more were left homeless as the storm tore through areas of New York, New Jersey and Connecticut, causing an estimated $50 billion in damage.
Donations raised from the one-night event concert will go to the Robin Hood Relief Fund, which will provide money and materials to groups helping people hardest hit by the storm.
The organizers of the concert also produced the 9/11 benefit The Concert for New York City in 2001, which raised more than $30 million.
A concert and telethon on NBC earlier this month raised almost $23 million for people affected by the storm.
The Who, Roger Waters, Billy Joel and Alicia Keys have also signed up for the December 12 event, which its producers said is shaping up to be a showcase of rock royalty.
"The response from the entertainment community to help those most affected by Hurricane Sandy has been nothing short of astounding," the Madison Square Garden Company, Clear Channel Media and Entertainment and The Weinstein Company said in a joint statement.
"We expect to announce additional legendary performers in the near future and we are confident that the event will ensure those in need will not be forgotten, and vital aid will be directed to rebuilding our communities along the East Coast."
More than 130 people were killed when the superstorm pummeled the east coast of the United States late last month. Thousands more were left homeless as the storm tore through areas of New York, New Jersey and Connecticut, causing an estimated $50 billion in damage.
Donations raised from the one-night event concert will go to the Robin Hood Relief Fund, which will provide money and materials to groups helping people hardest hit by the storm.
The organizers of the concert also produced the 9/11 benefit The Concert for New York City in 2001, which raised more than $30 million.
A concert and telethon on NBC earlier this month raised almost $23 million for people affected by the storm.
Rolling Stones Return To Stage To Mark 50 Years
To contact us Click HERE
The Rolling Stones take to the stage later tonight (Sunday, November 25) after a five-year hiatus to celebrate the golden jubilee of one of the most successful and enduring bands in rock and roll history.
Now in their mid-60s to early 70s, lead singer Mick Jagger, guitarists Keith Richards and Ronnie Wood and drummer Charlie Watts will perform five concerts - two at the O2 Arena in London on November 25 and 29 and three in the United States next month.
Joining them at the O2 on Sunday will be former band members Bill Wyman and Mick Taylor, the first time the two ex-Stones have performed with the group in more than 20 years.
And in a fresh announcement on Saturday, American R&B singer-songwriter Mary J. Blige and guitar great Jeff Beck have also been added to the lineup as special guests.
The flamboyant veterans behind a string of hits including "(I Can't Get No) Satisfaction", "You Can't Always Get What You Want" and "Jumpin' Jack Flash" have promised a "stunning" gig lasting more than two hours.
A sellout crowd of some 20,000 people is expected, in spite of widespread complaints from fans at ticket prices that ranged from 95 pounds ($150) to up to 950 pounds for a VIP seat.
Costs went far higher on secondary ticketing websites, although by Friday eBay was offering several seats to Sunday's show at below face value and there were places still officially available at around 400 pounds apiece.
The band has defended the prices, saying that the shows are expensive to put on, although Billboard, a specialist music publication, reported that the quartet would be paid $25 million for the four shows first announced. A fifth was added later.
The concerts are the culmination of a busy few months of events, rehearsals and recordings to mark 50 years since the blues-infused rockers first took to the stage at the Marquee Club on London's Oxford Street in July, 1962.
There has been a photo album, two new songs, a music video, a documentary film, a blitz of media appearances and a handful of warm-up gigs in Paris.
The O2 Arena was where another top band of the 1960s and 70s, Led Zeppelin, staged an eagerly awaited one-off reunion in 2007, and while the Stones have appeared together far more regularly, it is their first arena performance in six years.
One factor behind the long break has been Wood's struggle with alcohol addition, according to Rolling Stone magazine, while Jagger and Richards also fell out over comments the guitarist made about the singer in a 2010 autobiography.
"We can't get divorced - we're doing it for the kids!" joked Richards in a recent interview after apologizing to Jagger.
While the rock and roll excesses of the swinging 60s and 70s are in the past for the band, and their very best songs may be behind them, music critics praised their recent single "Doom and Gloom" from the GRRR! greatest hits album just released.
And there have been hints from the band that the five gigs which wind up at the Newark Prudential Center on December 15 may not be the end of their reunion.
"Once the juggernaut starts rolling, it ain't gonna stop," Richards told Rolling Stone. "So without sort of saying definitely yes - yeah. We ain't doing all this for four gigs!"
Now in their mid-60s to early 70s, lead singer Mick Jagger, guitarists Keith Richards and Ronnie Wood and drummer Charlie Watts will perform five concerts - two at the O2 Arena in London on November 25 and 29 and three in the United States next month.
Joining them at the O2 on Sunday will be former band members Bill Wyman and Mick Taylor, the first time the two ex-Stones have performed with the group in more than 20 years.
And in a fresh announcement on Saturday, American R&B singer-songwriter Mary J. Blige and guitar great Jeff Beck have also been added to the lineup as special guests.
The flamboyant veterans behind a string of hits including "(I Can't Get No) Satisfaction", "You Can't Always Get What You Want" and "Jumpin' Jack Flash" have promised a "stunning" gig lasting more than two hours.
A sellout crowd of some 20,000 people is expected, in spite of widespread complaints from fans at ticket prices that ranged from 95 pounds ($150) to up to 950 pounds for a VIP seat.
Costs went far higher on secondary ticketing websites, although by Friday eBay was offering several seats to Sunday's show at below face value and there were places still officially available at around 400 pounds apiece.
The band has defended the prices, saying that the shows are expensive to put on, although Billboard, a specialist music publication, reported that the quartet would be paid $25 million for the four shows first announced. A fifth was added later.
The concerts are the culmination of a busy few months of events, rehearsals and recordings to mark 50 years since the blues-infused rockers first took to the stage at the Marquee Club on London's Oxford Street in July, 1962.
There has been a photo album, two new songs, a music video, a documentary film, a blitz of media appearances and a handful of warm-up gigs in Paris.
The O2 Arena was where another top band of the 1960s and 70s, Led Zeppelin, staged an eagerly awaited one-off reunion in 2007, and while the Stones have appeared together far more regularly, it is their first arena performance in six years.
One factor behind the long break has been Wood's struggle with alcohol addition, according to Rolling Stone magazine, while Jagger and Richards also fell out over comments the guitarist made about the singer in a 2010 autobiography.
"We can't get divorced - we're doing it for the kids!" joked Richards in a recent interview after apologizing to Jagger.
While the rock and roll excesses of the swinging 60s and 70s are in the past for the band, and their very best songs may be behind them, music critics praised their recent single "Doom and Gloom" from the GRRR! greatest hits album just released.
And there have been hints from the band that the five gigs which wind up at the Newark Prudential Center on December 15 may not be the end of their reunion.
"Once the juggernaut starts rolling, it ain't gonna stop," Richards told Rolling Stone. "So without sort of saying definitely yes - yeah. We ain't doing all this for four gigs!"
25 Kasım 2012 Pazar
Jerry Garcia and Prince's Royalty Rates Up For Auction
To contact us Click HERE
SongVest launches two blockbuster auctions today: the music of Jerry Garcia and Prince (with 94 East). Passion meets opportunity now that fans can own a revenue-producing piece of musical history by sharing in the royalties of their favorite songs. SongVest’s auctions with featured memorabilia are one of a kind and a rare find for the music loving investor.
The bonus packed Jerry Garcia/Merl Saunders’ SongVest auction celebrates the recent release of the highly anticipated “Keystone Companions” recordings. This is an opportunity to own 33% of the complete catalog of Saunders’ studio albums. Included in this set is the Keystone Live Recordings Collection which contains the entire body of work from the influential Jerry Garcia/Merl Saunders 25-year musical partnership.
Saunder’s catalog also features his numerous collaborations with The Grateful Dead, David Grisman, Bonnie Raitt and many others. Also offered in this auction are the future royalties from 200+ previously unreleased masters of Jerry Garcia-Merl Saunders live shows as well as the future royalty rights to the very popular Legion of Mary and Jerry Garcia Band: Live at Berkeley 1973 and 1974 recordings.
As a bonus, the highest bidder will received tickets to a private tribute concert of the Keystone Companions collection by Merl Saunders’ son, Tony Saunders, and Keystone Revisited. In addition, the lucky buyer will get a professional platinum record plaque that showcases ownership of the catalog.
To view this auction please go to http://www.songvest.com/category/362/Rock/listings/316/Garcia-and-Saunders-Catalog.html
The exclusive auction of Prince’s first-ever professional recording on guitar starts today at www.SongVest.com. This event offers the original 2” recording master (and the safety copy) with the original separated tracks of Prince performing at age 17 with Pepé Willie and the 94 East band on The Cookhouse Five album.
This special auction offers the rare opportunity for ownership of the copyright as well as the legal rights to market and promote the recording. This 1975 album is slice of history – recorded at Cookhouse Studios in Minneapolis; this is the beginning of a remarkable career where Prince began to define the Minneapolis Sound!
To view this auction please go to: http://www.songvest.com/category/362/Rock/listings/317/Prince-(feat-94-East).html.
The bonus packed Jerry Garcia/Merl Saunders’ SongVest auction celebrates the recent release of the highly anticipated “Keystone Companions” recordings. This is an opportunity to own 33% of the complete catalog of Saunders’ studio albums. Included in this set is the Keystone Live Recordings Collection which contains the entire body of work from the influential Jerry Garcia/Merl Saunders 25-year musical partnership.
Saunder’s catalog also features his numerous collaborations with The Grateful Dead, David Grisman, Bonnie Raitt and many others. Also offered in this auction are the future royalties from 200+ previously unreleased masters of Jerry Garcia-Merl Saunders live shows as well as the future royalty rights to the very popular Legion of Mary and Jerry Garcia Band: Live at Berkeley 1973 and 1974 recordings.
As a bonus, the highest bidder will received tickets to a private tribute concert of the Keystone Companions collection by Merl Saunders’ son, Tony Saunders, and Keystone Revisited. In addition, the lucky buyer will get a professional platinum record plaque that showcases ownership of the catalog.
To view this auction please go to http://www.songvest.com/category/362/Rock/listings/316/Garcia-and-Saunders-Catalog.html
The exclusive auction of Prince’s first-ever professional recording on guitar starts today at www.SongVest.com. This event offers the original 2” recording master (and the safety copy) with the original separated tracks of Prince performing at age 17 with Pepé Willie and the 94 East band on The Cookhouse Five album.
This special auction offers the rare opportunity for ownership of the copyright as well as the legal rights to market and promote the recording. This 1975 album is slice of history – recorded at Cookhouse Studios in Minneapolis; this is the beginning of a remarkable career where Prince began to define the Minneapolis Sound!
To view this auction please go to: http://www.songvest.com/category/362/Rock/listings/317/Prince-(feat-94-East).html.
The Doors "Live At The Bowl '68" Debuts At #1 With Theatrical Screenings To Follow
To contact us Click HERE
The Doors' newly released Live At The Bowl ’68 makes an impressive debut at #1 on the Billboard Top Music Video Chart.
Live At The Bowl ’68 features a newly restored version of the band’s the legendary 1968 Hollywood Bowl concert. For the first time, the film from the historic performance has been painstakingly restored using the original camera negatives and the audio has been remixed and mastered from original multitracks by the group’s engineer and co-producer Bruce Botnick.
This new restoration offers a stunning visual upgrade from earlier versions and will give fans the closest experience to being there live alongside Jim Morrison, John Densmore, Robby Krieger and Ray Manzarek, who opined, “You can hear it as if you were at the Hollywood Bowl, on stage with us.”
Check out our review of the Live At The Bowl ’68 Blu-Ray.
Live At The Bowl ’68 will also debut theatrically later this week with several exclusive “one night only” screenings. The first screenings are set to begin on November 6 and will continue in select markets across the U.S. throughout the month of November. For a list of specific theaters and dates, please visit www.thedoors.com/liveatthebowl.html.
A trailer for the film can be viewed at http://youtu.be/o5nQr7fzS9Y.
Live At The Bowl ’68 features a newly restored version of the band’s the legendary 1968 Hollywood Bowl concert. For the first time, the film from the historic performance has been painstakingly restored using the original camera negatives and the audio has been remixed and mastered from original multitracks by the group’s engineer and co-producer Bruce Botnick.
This new restoration offers a stunning visual upgrade from earlier versions and will give fans the closest experience to being there live alongside Jim Morrison, John Densmore, Robby Krieger and Ray Manzarek, who opined, “You can hear it as if you were at the Hollywood Bowl, on stage with us.”
Check out our review of the Live At The Bowl ’68 Blu-Ray.
Live At The Bowl ’68 will also debut theatrically later this week with several exclusive “one night only” screenings. The first screenings are set to begin on November 6 and will continue in select markets across the U.S. throughout the month of November. For a list of specific theaters and dates, please visit www.thedoors.com/liveatthebowl.html.
A trailer for the film can be viewed at http://youtu.be/o5nQr7fzS9Y.
Encore Screenings Of Led Zeppelin's Celebration Day Being Added
To contact us Click HERE
Following the worldwide success of Led Zeppelin's Celebration Day, the cinema concert event which presented live footage of the band’s 2007 reunion concert at London’s O2 Arena, there has been an enormous response from fans – 1.7 million fans have visited the fan’s website.
The film was screened in 15,000 cinemas around the world for a strictly limited engagement on Wednesday, October 17, 2012. Fans who were unable to attend the original tribute concert for Atlantic Records founder Ahmet Ertegun in 2007, when more than 20 million fans applied for the 18,000 available tickets in a worldwide lottery, finally had the opportunity to see it as if they had front row tickets. The film earned $2 million in a single night and was a phenomenal success.
Omniverse Vision, the UK-based distribution company that released Celebration Day, a two-hour-plus tour de force of Zeppelin’s signature blues-infused rock ‘n’ roll, has been working with online marketing specialist Distrify to track the response from fans online via an interactive platform on the Led Zeppelin website. With 100,000 hits a day, including 46,000 searches for show times and 4,000 requests for local screenings, Distrify has been able to compile the information needed for Omniverse Vision executives to agree to schedule encore performances in select markets to meet the demands of Led Zeppelin’s fans. There has been overwhelming interest in additional screenings from the U.S., the UK, Japan, Brazil, Canada, Italy, Germany, France, Mexico and Australia.
For younger fans, this film may be the first time that they will see founding members John Paul Jones, Jimmy Page and Robert Plant, along with Jason Bonham, son of the late Led Zeppelin drummer John Bonham, together on stage. For older fans, this might be their last chance to see these iconic rockers perform 16 songs from their iconic catalog. The band made it all too clear in press conferences announcing Celebration Day that there were no plans for a reunion tour. The set list for the cinema concert event includes:
1. Good Times Bad Times
2. Ramble On
3. Black Dog
4. In My Time Of Dying
5. For Your Life
6. Trampled Under Foot
7. Nobody’s Fault But Mine
8. No Quarter
9. Since I’ve Been Loving You
10. Dazed And Confused
11. Stairway To Heaven
12. The Song Remains The Same
13. Misty Mountain Hop
14. Kashmir
15. Whole Lotta Love
16. Rock And Roll
Celebration Day will be presented in high definition with surround sound in movie theatres for an encore performance on Tuesday, November 13. Tickets are limited.
For a list of theatres and show times, please refer to the Led Zeppelin website.
Celebration Day will then be available in multiple video and audio formats on November 19, 2012 from Swan Song/Atlantic Records.
The film was screened in 15,000 cinemas around the world for a strictly limited engagement on Wednesday, October 17, 2012. Fans who were unable to attend the original tribute concert for Atlantic Records founder Ahmet Ertegun in 2007, when more than 20 million fans applied for the 18,000 available tickets in a worldwide lottery, finally had the opportunity to see it as if they had front row tickets. The film earned $2 million in a single night and was a phenomenal success.
Omniverse Vision, the UK-based distribution company that released Celebration Day, a two-hour-plus tour de force of Zeppelin’s signature blues-infused rock ‘n’ roll, has been working with online marketing specialist Distrify to track the response from fans online via an interactive platform on the Led Zeppelin website. With 100,000 hits a day, including 46,000 searches for show times and 4,000 requests for local screenings, Distrify has been able to compile the information needed for Omniverse Vision executives to agree to schedule encore performances in select markets to meet the demands of Led Zeppelin’s fans. There has been overwhelming interest in additional screenings from the U.S., the UK, Japan, Brazil, Canada, Italy, Germany, France, Mexico and Australia.
For younger fans, this film may be the first time that they will see founding members John Paul Jones, Jimmy Page and Robert Plant, along with Jason Bonham, son of the late Led Zeppelin drummer John Bonham, together on stage. For older fans, this might be their last chance to see these iconic rockers perform 16 songs from their iconic catalog. The band made it all too clear in press conferences announcing Celebration Day that there were no plans for a reunion tour. The set list for the cinema concert event includes:
1. Good Times Bad Times
2. Ramble On
3. Black Dog
4. In My Time Of Dying
5. For Your Life
6. Trampled Under Foot
7. Nobody’s Fault But Mine
8. No Quarter
9. Since I’ve Been Loving You
10. Dazed And Confused
11. Stairway To Heaven
12. The Song Remains The Same
13. Misty Mountain Hop
14. Kashmir
15. Whole Lotta Love
16. Rock And Roll
Celebration Day will be presented in high definition with surround sound in movie theatres for an encore performance on Tuesday, November 13. Tickets are limited.
For a list of theatres and show times, please refer to the Led Zeppelin website.
Celebration Day will then be available in multiple video and audio formats on November 19, 2012 from Swan Song/Atlantic Records.
Mick Jagger's Love Letters Up For Auction
To contact us Click HERE
Love letters written by Rolling Stones frontman Mick Jagger to American singer Marsha Hunt, discussing poetry and his personal turmoil, will hit the auction block next month.
Hunt, with whom Jagger had his first child, Karis, told Britain's Guardian newspaper she was selling the letters, written in July and August 1969, because she had been unable to pay her bills.
"I'm broke," Hunt, who lives in France, told the newspaper.
The Guardian said on Friday the 10 letters would be sold by Sotheby's on December 12.
The auction house values the letters from between 70,000 and 100,000 pounds ($111,000-$160,000).
Jagger wrote them to Hunt while filming the Tony Richardson movie Ned Kelly in Australia.
They are described as showing a sensitive side of the then-young singer, who wrote about the poetry of Emily Dickinson, meeting author Christopher Isherwood and an unrealized multimedia project.
Jagger's relationship with Hunt, who is African-American, was kept under wraps until 1972.
"The sale is important," Hunt told The Guardian. "Someone, I hope, will buy those letters as our generation is dying and with us will go the reality of who we were and what life was."
Hunt has said she was the inspiration for the Rolling Stones' song "Brown Sugar," which Jagger wrote while in Australia.
The rock star also cites in the letters the disintegration of his relationship with singer Marianne Faithful, whom he was also dating at the time, and the death of Rolling Stones' guitarist Brian Jones.
Hunt, with whom Jagger had his first child, Karis, told Britain's Guardian newspaper she was selling the letters, written in July and August 1969, because she had been unable to pay her bills.
"I'm broke," Hunt, who lives in France, told the newspaper.
The Guardian said on Friday the 10 letters would be sold by Sotheby's on December 12.
The auction house values the letters from between 70,000 and 100,000 pounds ($111,000-$160,000).
Jagger wrote them to Hunt while filming the Tony Richardson movie Ned Kelly in Australia.
They are described as showing a sensitive side of the then-young singer, who wrote about the poetry of Emily Dickinson, meeting author Christopher Isherwood and an unrealized multimedia project.
Jagger's relationship with Hunt, who is African-American, was kept under wraps until 1972.
"The sale is important," Hunt told The Guardian. "Someone, I hope, will buy those letters as our generation is dying and with us will go the reality of who we were and what life was."
Hunt has said she was the inspiration for the Rolling Stones' song "Brown Sugar," which Jagger wrote while in Australia.
The rock star also cites in the letters the disintegration of his relationship with singer Marianne Faithful, whom he was also dating at the time, and the death of Rolling Stones' guitarist Brian Jones.
Springsteen, McCartney To Perform Concert For Sandy's Victims
To contact us Click HERE
Bruce Springsteen and the E Street Band, Paul McCartney, Kanye West and Jon Bon Jovi will perform at a special "12.12.12" Concert for Sandy Relief at Madison Square Garden next month, according to organizers.
The Who, Roger Waters, Billy Joel and Alicia Keys have also signed up for the December 12 event, which its producers said is shaping up to be a showcase of rock royalty.
"The response from the entertainment community to help those most affected by Hurricane Sandy has been nothing short of astounding," the Madison Square Garden Company, Clear Channel Media and Entertainment and The Weinstein Company said in a joint statement.
"We expect to announce additional legendary performers in the near future and we are confident that the event will ensure those in need will not be forgotten, and vital aid will be directed to rebuilding our communities along the East Coast."
More than 130 people were killed when the superstorm pummeled the east coast of the United States late last month. Thousands more were left homeless as the storm tore through areas of New York, New Jersey and Connecticut, causing an estimated $50 billion in damage.
Donations raised from the one-night event concert will go to the Robin Hood Relief Fund, which will provide money and materials to groups helping people hardest hit by the storm.
The organizers of the concert also produced the 9/11 benefit The Concert for New York City in 2001, which raised more than $30 million.
A concert and telethon on NBC earlier this month raised almost $23 million for people affected by the storm.
The Who, Roger Waters, Billy Joel and Alicia Keys have also signed up for the December 12 event, which its producers said is shaping up to be a showcase of rock royalty.
"The response from the entertainment community to help those most affected by Hurricane Sandy has been nothing short of astounding," the Madison Square Garden Company, Clear Channel Media and Entertainment and The Weinstein Company said in a joint statement.
"We expect to announce additional legendary performers in the near future and we are confident that the event will ensure those in need will not be forgotten, and vital aid will be directed to rebuilding our communities along the East Coast."
More than 130 people were killed when the superstorm pummeled the east coast of the United States late last month. Thousands more were left homeless as the storm tore through areas of New York, New Jersey and Connecticut, causing an estimated $50 billion in damage.
Donations raised from the one-night event concert will go to the Robin Hood Relief Fund, which will provide money and materials to groups helping people hardest hit by the storm.
The organizers of the concert also produced the 9/11 benefit The Concert for New York City in 2001, which raised more than $30 million.
A concert and telethon on NBC earlier this month raised almost $23 million for people affected by the storm.
24 Kasım 2012 Cumartesi
Jerry Garcia and Prince's Royalty Rates Up For Auction
To contact us Click HERE
SongVest launches two blockbuster auctions today: the music of Jerry Garcia and Prince (with 94 East). Passion meets opportunity now that fans can own a revenue-producing piece of musical history by sharing in the royalties of their favorite songs. SongVest’s auctions with featured memorabilia are one of a kind and a rare find for the music loving investor.
The bonus packed Jerry Garcia/Merl Saunders’ SongVest auction celebrates the recent release of the highly anticipated “Keystone Companions” recordings. This is an opportunity to own 33% of the complete catalog of Saunders’ studio albums. Included in this set is the Keystone Live Recordings Collection which contains the entire body of work from the influential Jerry Garcia/Merl Saunders 25-year musical partnership.
Saunder’s catalog also features his numerous collaborations with The Grateful Dead, David Grisman, Bonnie Raitt and many others. Also offered in this auction are the future royalties from 200+ previously unreleased masters of Jerry Garcia-Merl Saunders live shows as well as the future royalty rights to the very popular Legion of Mary and Jerry Garcia Band: Live at Berkeley 1973 and 1974 recordings.
As a bonus, the highest bidder will received tickets to a private tribute concert of the Keystone Companions collection by Merl Saunders’ son, Tony Saunders, and Keystone Revisited. In addition, the lucky buyer will get a professional platinum record plaque that showcases ownership of the catalog.
To view this auction please go to http://www.songvest.com/category/362/Rock/listings/316/Garcia-and-Saunders-Catalog.html
The exclusive auction of Prince’s first-ever professional recording on guitar starts today at www.SongVest.com. This event offers the original 2” recording master (and the safety copy) with the original separated tracks of Prince performing at age 17 with Pepé Willie and the 94 East band on The Cookhouse Five album.
This special auction offers the rare opportunity for ownership of the copyright as well as the legal rights to market and promote the recording. This 1975 album is slice of history – recorded at Cookhouse Studios in Minneapolis; this is the beginning of a remarkable career where Prince began to define the Minneapolis Sound!
To view this auction please go to: http://www.songvest.com/category/362/Rock/listings/317/Prince-(feat-94-East).html.
The bonus packed Jerry Garcia/Merl Saunders’ SongVest auction celebrates the recent release of the highly anticipated “Keystone Companions” recordings. This is an opportunity to own 33% of the complete catalog of Saunders’ studio albums. Included in this set is the Keystone Live Recordings Collection which contains the entire body of work from the influential Jerry Garcia/Merl Saunders 25-year musical partnership.
Saunder’s catalog also features his numerous collaborations with The Grateful Dead, David Grisman, Bonnie Raitt and many others. Also offered in this auction are the future royalties from 200+ previously unreleased masters of Jerry Garcia-Merl Saunders live shows as well as the future royalty rights to the very popular Legion of Mary and Jerry Garcia Band: Live at Berkeley 1973 and 1974 recordings.
As a bonus, the highest bidder will received tickets to a private tribute concert of the Keystone Companions collection by Merl Saunders’ son, Tony Saunders, and Keystone Revisited. In addition, the lucky buyer will get a professional platinum record plaque that showcases ownership of the catalog.
To view this auction please go to http://www.songvest.com/category/362/Rock/listings/316/Garcia-and-Saunders-Catalog.html
The exclusive auction of Prince’s first-ever professional recording on guitar starts today at www.SongVest.com. This event offers the original 2” recording master (and the safety copy) with the original separated tracks of Prince performing at age 17 with Pepé Willie and the 94 East band on The Cookhouse Five album.
This special auction offers the rare opportunity for ownership of the copyright as well as the legal rights to market and promote the recording. This 1975 album is slice of history – recorded at Cookhouse Studios in Minneapolis; this is the beginning of a remarkable career where Prince began to define the Minneapolis Sound!
To view this auction please go to: http://www.songvest.com/category/362/Rock/listings/317/Prince-(feat-94-East).html.
The Doors "Live At The Bowl '68" Debuts At #1 With Theatrical Screenings To Follow
To contact us Click HERE
The Doors' newly released Live At The Bowl ’68 makes an impressive debut at #1 on the Billboard Top Music Video Chart.
Live At The Bowl ’68 features a newly restored version of the band’s the legendary 1968 Hollywood Bowl concert. For the first time, the film from the historic performance has been painstakingly restored using the original camera negatives and the audio has been remixed and mastered from original multitracks by the group’s engineer and co-producer Bruce Botnick.
This new restoration offers a stunning visual upgrade from earlier versions and will give fans the closest experience to being there live alongside Jim Morrison, John Densmore, Robby Krieger and Ray Manzarek, who opined, “You can hear it as if you were at the Hollywood Bowl, on stage with us.”
Check out our review of the Live At The Bowl ’68 Blu-Ray.
Live At The Bowl ’68 will also debut theatrically later this week with several exclusive “one night only” screenings. The first screenings are set to begin on November 6 and will continue in select markets across the U.S. throughout the month of November. For a list of specific theaters and dates, please visit www.thedoors.com/liveatthebowl.html.
A trailer for the film can be viewed at http://youtu.be/o5nQr7fzS9Y.
Live At The Bowl ’68 features a newly restored version of the band’s the legendary 1968 Hollywood Bowl concert. For the first time, the film from the historic performance has been painstakingly restored using the original camera negatives and the audio has been remixed and mastered from original multitracks by the group’s engineer and co-producer Bruce Botnick.
This new restoration offers a stunning visual upgrade from earlier versions and will give fans the closest experience to being there live alongside Jim Morrison, John Densmore, Robby Krieger and Ray Manzarek, who opined, “You can hear it as if you were at the Hollywood Bowl, on stage with us.”
Check out our review of the Live At The Bowl ’68 Blu-Ray.
Live At The Bowl ’68 will also debut theatrically later this week with several exclusive “one night only” screenings. The first screenings are set to begin on November 6 and will continue in select markets across the U.S. throughout the month of November. For a list of specific theaters and dates, please visit www.thedoors.com/liveatthebowl.html.
A trailer for the film can be viewed at http://youtu.be/o5nQr7fzS9Y.
Encore Screenings Of Led Zeppelin's Celebration Day Being Added
To contact us Click HERE
Following the worldwide success of Led Zeppelin's Celebration Day, the cinema concert event which presented live footage of the band’s 2007 reunion concert at London’s O2 Arena, there has been an enormous response from fans – 1.7 million fans have visited the fan’s website.
The film was screened in 15,000 cinemas around the world for a strictly limited engagement on Wednesday, October 17, 2012. Fans who were unable to attend the original tribute concert for Atlantic Records founder Ahmet Ertegun in 2007, when more than 20 million fans applied for the 18,000 available tickets in a worldwide lottery, finally had the opportunity to see it as if they had front row tickets. The film earned $2 million in a single night and was a phenomenal success.
Omniverse Vision, the UK-based distribution company that released Celebration Day, a two-hour-plus tour de force of Zeppelin’s signature blues-infused rock ‘n’ roll, has been working with online marketing specialist Distrify to track the response from fans online via an interactive platform on the Led Zeppelin website. With 100,000 hits a day, including 46,000 searches for show times and 4,000 requests for local screenings, Distrify has been able to compile the information needed for Omniverse Vision executives to agree to schedule encore performances in select markets to meet the demands of Led Zeppelin’s fans. There has been overwhelming interest in additional screenings from the U.S., the UK, Japan, Brazil, Canada, Italy, Germany, France, Mexico and Australia.
For younger fans, this film may be the first time that they will see founding members John Paul Jones, Jimmy Page and Robert Plant, along with Jason Bonham, son of the late Led Zeppelin drummer John Bonham, together on stage. For older fans, this might be their last chance to see these iconic rockers perform 16 songs from their iconic catalog. The band made it all too clear in press conferences announcing Celebration Day that there were no plans for a reunion tour. The set list for the cinema concert event includes:
1. Good Times Bad Times
2. Ramble On
3. Black Dog
4. In My Time Of Dying
5. For Your Life
6. Trampled Under Foot
7. Nobody’s Fault But Mine
8. No Quarter
9. Since I’ve Been Loving You
10. Dazed And Confused
11. Stairway To Heaven
12. The Song Remains The Same
13. Misty Mountain Hop
14. Kashmir
15. Whole Lotta Love
16. Rock And Roll
Celebration Day will be presented in high definition with surround sound in movie theatres for an encore performance on Tuesday, November 13. Tickets are limited.
For a list of theatres and show times, please refer to the Led Zeppelin website.
Celebration Day will then be available in multiple video and audio formats on November 19, 2012 from Swan Song/Atlantic Records.
The film was screened in 15,000 cinemas around the world for a strictly limited engagement on Wednesday, October 17, 2012. Fans who were unable to attend the original tribute concert for Atlantic Records founder Ahmet Ertegun in 2007, when more than 20 million fans applied for the 18,000 available tickets in a worldwide lottery, finally had the opportunity to see it as if they had front row tickets. The film earned $2 million in a single night and was a phenomenal success.
Omniverse Vision, the UK-based distribution company that released Celebration Day, a two-hour-plus tour de force of Zeppelin’s signature blues-infused rock ‘n’ roll, has been working with online marketing specialist Distrify to track the response from fans online via an interactive platform on the Led Zeppelin website. With 100,000 hits a day, including 46,000 searches for show times and 4,000 requests for local screenings, Distrify has been able to compile the information needed for Omniverse Vision executives to agree to schedule encore performances in select markets to meet the demands of Led Zeppelin’s fans. There has been overwhelming interest in additional screenings from the U.S., the UK, Japan, Brazil, Canada, Italy, Germany, France, Mexico and Australia.
For younger fans, this film may be the first time that they will see founding members John Paul Jones, Jimmy Page and Robert Plant, along with Jason Bonham, son of the late Led Zeppelin drummer John Bonham, together on stage. For older fans, this might be their last chance to see these iconic rockers perform 16 songs from their iconic catalog. The band made it all too clear in press conferences announcing Celebration Day that there were no plans for a reunion tour. The set list for the cinema concert event includes:
1. Good Times Bad Times
2. Ramble On
3. Black Dog
4. In My Time Of Dying
5. For Your Life
6. Trampled Under Foot
7. Nobody’s Fault But Mine
8. No Quarter
9. Since I’ve Been Loving You
10. Dazed And Confused
11. Stairway To Heaven
12. The Song Remains The Same
13. Misty Mountain Hop
14. Kashmir
15. Whole Lotta Love
16. Rock And Roll
Celebration Day will be presented in high definition with surround sound in movie theatres for an encore performance on Tuesday, November 13. Tickets are limited.
For a list of theatres and show times, please refer to the Led Zeppelin website.
Celebration Day will then be available in multiple video and audio formats on November 19, 2012 from Swan Song/Atlantic Records.
Mick Jagger's Love Letters Up For Auction
To contact us Click HERE
Love letters written by Rolling Stones frontman Mick Jagger to American singer Marsha Hunt, discussing poetry and his personal turmoil, will hit the auction block next month.
Hunt, with whom Jagger had his first child, Karis, told Britain's Guardian newspaper she was selling the letters, written in July and August 1969, because she had been unable to pay her bills.
"I'm broke," Hunt, who lives in France, told the newspaper.
The Guardian said on Friday the 10 letters would be sold by Sotheby's on December 12.
The auction house values the letters from between 70,000 and 100,000 pounds ($111,000-$160,000).
Jagger wrote them to Hunt while filming the Tony Richardson movie Ned Kelly in Australia.
They are described as showing a sensitive side of the then-young singer, who wrote about the poetry of Emily Dickinson, meeting author Christopher Isherwood and an unrealized multimedia project.
Jagger's relationship with Hunt, who is African-American, was kept under wraps until 1972.
"The sale is important," Hunt told The Guardian. "Someone, I hope, will buy those letters as our generation is dying and with us will go the reality of who we were and what life was."
Hunt has said she was the inspiration for the Rolling Stones' song "Brown Sugar," which Jagger wrote while in Australia.
The rock star also cites in the letters the disintegration of his relationship with singer Marianne Faithful, whom he was also dating at the time, and the death of Rolling Stones' guitarist Brian Jones.
Hunt, with whom Jagger had his first child, Karis, told Britain's Guardian newspaper she was selling the letters, written in July and August 1969, because she had been unable to pay her bills.
"I'm broke," Hunt, who lives in France, told the newspaper.
The Guardian said on Friday the 10 letters would be sold by Sotheby's on December 12.
The auction house values the letters from between 70,000 and 100,000 pounds ($111,000-$160,000).
Jagger wrote them to Hunt while filming the Tony Richardson movie Ned Kelly in Australia.
They are described as showing a sensitive side of the then-young singer, who wrote about the poetry of Emily Dickinson, meeting author Christopher Isherwood and an unrealized multimedia project.
Jagger's relationship with Hunt, who is African-American, was kept under wraps until 1972.
"The sale is important," Hunt told The Guardian. "Someone, I hope, will buy those letters as our generation is dying and with us will go the reality of who we were and what life was."
Hunt has said she was the inspiration for the Rolling Stones' song "Brown Sugar," which Jagger wrote while in Australia.
The rock star also cites in the letters the disintegration of his relationship with singer Marianne Faithful, whom he was also dating at the time, and the death of Rolling Stones' guitarist Brian Jones.
Springsteen, McCartney To Perform Concert For Sandy's Victims
To contact us Click HERE
Bruce Springsteen and the E Street Band, Paul McCartney, Kanye West and Jon Bon Jovi will perform at a special "12.12.12" Concert for Sandy Relief at Madison Square Garden next month, according to organizers.
The Who, Roger Waters, Billy Joel and Alicia Keys have also signed up for the December 12 event, which its producers said is shaping up to be a showcase of rock royalty.
"The response from the entertainment community to help those most affected by Hurricane Sandy has been nothing short of astounding," the Madison Square Garden Company, Clear Channel Media and Entertainment and The Weinstein Company said in a joint statement.
"We expect to announce additional legendary performers in the near future and we are confident that the event will ensure those in need will not be forgotten, and vital aid will be directed to rebuilding our communities along the East Coast."
More than 130 people were killed when the superstorm pummeled the east coast of the United States late last month. Thousands more were left homeless as the storm tore through areas of New York, New Jersey and Connecticut, causing an estimated $50 billion in damage.
Donations raised from the one-night event concert will go to the Robin Hood Relief Fund, which will provide money and materials to groups helping people hardest hit by the storm.
The organizers of the concert also produced the 9/11 benefit The Concert for New York City in 2001, which raised more than $30 million.
A concert and telethon on NBC earlier this month raised almost $23 million for people affected by the storm.
The Who, Roger Waters, Billy Joel and Alicia Keys have also signed up for the December 12 event, which its producers said is shaping up to be a showcase of rock royalty.
"The response from the entertainment community to help those most affected by Hurricane Sandy has been nothing short of astounding," the Madison Square Garden Company, Clear Channel Media and Entertainment and The Weinstein Company said in a joint statement.
"We expect to announce additional legendary performers in the near future and we are confident that the event will ensure those in need will not be forgotten, and vital aid will be directed to rebuilding our communities along the East Coast."
More than 130 people were killed when the superstorm pummeled the east coast of the United States late last month. Thousands more were left homeless as the storm tore through areas of New York, New Jersey and Connecticut, causing an estimated $50 billion in damage.
Donations raised from the one-night event concert will go to the Robin Hood Relief Fund, which will provide money and materials to groups helping people hardest hit by the storm.
The organizers of the concert also produced the 9/11 benefit The Concert for New York City in 2001, which raised more than $30 million.
A concert and telethon on NBC earlier this month raised almost $23 million for people affected by the storm.
23 Kasım 2012 Cuma
Video Clips from LA BOHÈME - Central City Opera's 2012 production
To contact us Click HERE
Central City Opera's La Bohème continues through August 12th. To whet your appetite, enjoy these snippets from the production.
From Act One, an excerpt of "O soave fanciulla" with Mimi & Rodolfo:
From Act Two in the Café Momus:
From Act Three with Marcello & Mimi:
Glimpses of Central City Opera's 2012 production of LA BOHÈME
Music by Giacomo Puccini
Libretto by Giacosa and Illica
Based upon Henri Murder's 1849 novel SCÈNES DE LA VIE BOHÈME
Conductor: John Baril
Director: Kevin Newbury
Assistant Director: R. B. Schlather
Scenic Designer: David Korins
Costume Designer: Jessica Jahn
Lighting Designer: David Martin Jacques
Wig/Makeup Designer: Dave Bova
Associate Conductor: Adam Turner
Musetta: Deborah Selig
Marcello: Troy Cook
Rodolfo: Eric Margiore
Mimi: Elizabeth Caballero
Colline: Ryan Speedo Green
Schaunard: Chris Carr
Alcindoro: Thomas Goerz
Performed by the Central City Opera Festival Orchestra
Visit the La Bohème website for more information.
From Act One, an excerpt of "O soave fanciulla" with Mimi & Rodolfo:
From Act Two in the Café Momus:
From Act Three with Marcello & Mimi:
Glimpses of Central City Opera's 2012 production of LA BOHÈME
Music by Giacomo Puccini
Libretto by Giacosa and Illica
Based upon Henri Murder's 1849 novel SCÈNES DE LA VIE BOHÈME
Conductor: John Baril
Director: Kevin Newbury
Assistant Director: R. B. Schlather
Scenic Designer: David Korins
Costume Designer: Jessica Jahn
Lighting Designer: David Martin Jacques
Wig/Makeup Designer: Dave Bova
Associate Conductor: Adam Turner
Musetta: Deborah Selig
Marcello: Troy Cook
Rodolfo: Eric Margiore
Mimi: Elizabeth Caballero
Colline: Ryan Speedo Green
Schaunard: Chris Carr
Alcindoro: Thomas Goerz
Performed by the Central City Opera Festival Orchestra
Visit the La Bohème website for more information.
Guns N' Roses - Concert Review
To contact us Click HERE

The following Guns N' Roses review was written by TDWenger of Listen Up Denver. I'm posting his review here because, to be completely honest, I didn't stay for the duration of the GNR marathon show. Keep reading and you'll understand why...
The Scene: The scene at the Guns N’ Roses show at the 1st Bank Center was pretty much what I thought it might be. There were plenty of aging metalheads in leather and old tour t-shirts with big haired ladies in tight outfits on their arms and they were rubbing shoulders with well dressed suburban couples in their late 30′s out to relive their glory days with songs like “Welcome To The Jungle” and “Paradise City.” Sure there were some younger folks who came out to catch a glimpse of a fading legend, but the average age in the arena was pushing 40 for sure. It was an interesting crowd to say the least and the variety of people that turned out for a walk down memory lane was a clear testament to the wide reach of GnR’s material in the late 80′s and early 90′s.
Guns N’ Roses: First off, I’ve got to admit that the main reason I headed out on a Sunday night to catch this show was because I didn’t want to miss the opportunity to catch an Axl Rose meltdown. While they do seem to be fewer and farther between than just a few years ago, it’s by no means unheard of these days. For better or worse, Axl didn’t fly off the handle and instead decided to be surprisingly professional. Guns N’ Roses was scheduled to take the stage at 11pm (yes you read that right, 11pm . . . on a freakin’ Sunday) and at the stroke of the hour, the lights went down and the theme song from Dexter came pumping from the PA. Within seconds, the lights came up and guitarist DJ Ashba appeared in silhouette against a giant LED screen emblazoned with a GnR logo. As he launched into the opening riff from “Chinese Democracy,” an array of pyrotechnics exploded around the stadium sized stage, Axl and the rest of the band appeared, and we were off on quite an interesting ride.
Though the opener was a lot less than it could have been, the band followed it up with a trio of tunes from Appetite For Destruction as if to say to the mom’s and dad’s who had to go relieve a babysitter “there, you got what you came for, you can go now.” I’ve got to admit that Rose’s voice sounded pretty impressive on what I thought would be the defacto opener “Welcome To The Jungle,” and as he pushed into “It’s So Easy” and “Mr. Brownstone” I thought we might be in for surprisingly good show.
Unfortunately, what followed was an on again, off again set that was in desperate need of an editor. With solo after gratuitous solo, the band stretched . . . and stretched . . . and stretched the show out to three full hours, not bidding us goodnight until 2am. Axl has publicly bragged about how long the show is on this tour, and I’ve got to say that this is NOT the hit filled powerhouse set that will leave you begging for more in the wee hours of the morning. Rather, there were moments where it was downright boring as the band slogged through track after track from Chinese Democracy, and a slew of poorly chosen teases and covers like ”Baba O’Riley,” “Another Brick In The Wall,” and even “The Theme From The Pink Panther.” What it all added up to was a whole bunch of filler, much of which was totally unnecessary at 1am on a Sunday night. Axl and his band could have put on a polished, and really quite good, 90 minute show that focused on a few tracks from Chinese Democracy and the rest of the hits that people came to hear, rather than forcing us to sit through song after song that should have been left on the cutting room floor. Editing certainly doesn’t seem to be Mr. Rose’s strong suit.
While that lack of editing was a major blow to the musical portion of the night, it served to make the visual side of things very interesting. The stage set up was so big that it could have been left over from GnR’s days of touring stadiums with Metallica. With two levels, five video screens, enough acreage to raise a couple hundred head of cattle, an arsenal of pyrotechnical effects, and a dizzying array of lights hanging overhead, the set-up rivaled any of the biggest bands touring today. Frankly, with a rig like this, I have no idea how the band is going to clear any money from this tour. The small arena might have been two-thirds full and there was plenty of room to move around on the floor or to find a seat to wait out some of the slower moments of the evening.
While there were plenty of those slow moments, songs like “Live And Let Die,” “Sweet Child O’ Mine,” and “November Rain,” delivered just about everything I was hoping for. The three guitarists that are touring with this band in an effort to duplicate the guitar heroics that Slash pulled off on his own, did an admirable job and most of legendary solos were played note for note. There is no lack of talent in this band, and while at times it seemed like we could have been at a Vegas show due to the exorbitant production values, for the most part these guys proved their worth as musicians, as opposed to actors.
The two and half hour set wrapped up with a version of Bob Dylan’s “Knockin’ On Heaven’s Door” that went on for what seemed like an eternity as Axl begged the sparse crowd to sing to him, followed by a high energy take on “Nightrain” which allowed Rose to put his singing prowess on display once again as he hit all the notes and growls in the powerhouse tune. After a brief encore break, the band came back and closed the show with a self indulgent 30 minute mini-set that featured at least 3 drawn out instrumentals that did nothing to advance the show. By the time they got to “Patience” and “Paradise City” much of the crowd was poised to hit the parking lot but Axl had one last surprise in store for us when confetti cannon’s by the soundboard exploded, filling the air with millions of pieces of red paper.
The marathon show was nothing short of over-the-top . . . in every way. From the stage set-up, to the three guitar attack, to the three hour set time, to the 34 song setlist, Axl did it his way, so it was more than fitting that the walk-out music for the evening was Frank Sinatra’s “My Way.” When all was said and done I would say that ended up enjoying about half the show and on the drive home I did my best to figure out how to get that other hour and half of my life back. I have one word for you Axl: “Edit.”
Energy: B-
Sound: C
Musicianship: A-
Stage Presence: A-
Set / Light show: A
Overall: B

The following Guns N' Roses review was written by TDWenger of Listen Up Denver. I'm posting his review here because, to be completely honest, I didn't stay for the duration of the GNR marathon show. Keep reading and you'll understand why...
The Scene: The scene at the Guns N’ Roses show at the 1st Bank Center was pretty much what I thought it might be. There were plenty of aging metalheads in leather and old tour t-shirts with big haired ladies in tight outfits on their arms and they were rubbing shoulders with well dressed suburban couples in their late 30′s out to relive their glory days with songs like “Welcome To The Jungle” and “Paradise City.” Sure there were some younger folks who came out to catch a glimpse of a fading legend, but the average age in the arena was pushing 40 for sure. It was an interesting crowd to say the least and the variety of people that turned out for a walk down memory lane was a clear testament to the wide reach of GnR’s material in the late 80′s and early 90′s.
Guns N’ Roses: First off, I’ve got to admit that the main reason I headed out on a Sunday night to catch this show was because I didn’t want to miss the opportunity to catch an Axl Rose meltdown. While they do seem to be fewer and farther between than just a few years ago, it’s by no means unheard of these days. For better or worse, Axl didn’t fly off the handle and instead decided to be surprisingly professional. Guns N’ Roses was scheduled to take the stage at 11pm (yes you read that right, 11pm . . . on a freakin’ Sunday) and at the stroke of the hour, the lights went down and the theme song from Dexter came pumping from the PA. Within seconds, the lights came up and guitarist DJ Ashba appeared in silhouette against a giant LED screen emblazoned with a GnR logo. As he launched into the opening riff from “Chinese Democracy,” an array of pyrotechnics exploded around the stadium sized stage, Axl and the rest of the band appeared, and we were off on quite an interesting ride.
Though the opener was a lot less than it could have been, the band followed it up with a trio of tunes from Appetite For Destruction as if to say to the mom’s and dad’s who had to go relieve a babysitter “there, you got what you came for, you can go now.” I’ve got to admit that Rose’s voice sounded pretty impressive on what I thought would be the defacto opener “Welcome To The Jungle,” and as he pushed into “It’s So Easy” and “Mr. Brownstone” I thought we might be in for surprisingly good show.
Unfortunately, what followed was an on again, off again set that was in desperate need of an editor. With solo after gratuitous solo, the band stretched . . . and stretched . . . and stretched the show out to three full hours, not bidding us goodnight until 2am. Axl has publicly bragged about how long the show is on this tour, and I’ve got to say that this is NOT the hit filled powerhouse set that will leave you begging for more in the wee hours of the morning. Rather, there were moments where it was downright boring as the band slogged through track after track from Chinese Democracy, and a slew of poorly chosen teases and covers like ”Baba O’Riley,” “Another Brick In The Wall,” and even “The Theme From The Pink Panther.” What it all added up to was a whole bunch of filler, much of which was totally unnecessary at 1am on a Sunday night. Axl and his band could have put on a polished, and really quite good, 90 minute show that focused on a few tracks from Chinese Democracy and the rest of the hits that people came to hear, rather than forcing us to sit through song after song that should have been left on the cutting room floor. Editing certainly doesn’t seem to be Mr. Rose’s strong suit.
While that lack of editing was a major blow to the musical portion of the night, it served to make the visual side of things very interesting. The stage set up was so big that it could have been left over from GnR’s days of touring stadiums with Metallica. With two levels, five video screens, enough acreage to raise a couple hundred head of cattle, an arsenal of pyrotechnical effects, and a dizzying array of lights hanging overhead, the set-up rivaled any of the biggest bands touring today. Frankly, with a rig like this, I have no idea how the band is going to clear any money from this tour. The small arena might have been two-thirds full and there was plenty of room to move around on the floor or to find a seat to wait out some of the slower moments of the evening.While there were plenty of those slow moments, songs like “Live And Let Die,” “Sweet Child O’ Mine,” and “November Rain,” delivered just about everything I was hoping for. The three guitarists that are touring with this band in an effort to duplicate the guitar heroics that Slash pulled off on his own, did an admirable job and most of legendary solos were played note for note. There is no lack of talent in this band, and while at times it seemed like we could have been at a Vegas show due to the exorbitant production values, for the most part these guys proved their worth as musicians, as opposed to actors.
The two and half hour set wrapped up with a version of Bob Dylan’s “Knockin’ On Heaven’s Door” that went on for what seemed like an eternity as Axl begged the sparse crowd to sing to him, followed by a high energy take on “Nightrain” which allowed Rose to put his singing prowess on display once again as he hit all the notes and growls in the powerhouse tune. After a brief encore break, the band came back and closed the show with a self indulgent 30 minute mini-set that featured at least 3 drawn out instrumentals that did nothing to advance the show. By the time they got to “Patience” and “Paradise City” much of the crowd was poised to hit the parking lot but Axl had one last surprise in store for us when confetti cannon’s by the soundboard exploded, filling the air with millions of pieces of red paper.
The marathon show was nothing short of over-the-top . . . in every way. From the stage set-up, to the three guitar attack, to the three hour set time, to the 34 song setlist, Axl did it his way, so it was more than fitting that the walk-out music for the evening was Frank Sinatra’s “My Way.” When all was said and done I would say that ended up enjoying about half the show and on the drive home I did my best to figure out how to get that other hour and half of my life back. I have one word for you Axl: “Edit.”
Energy: B-
Sound: C
Musicianship: A-
Stage Presence: A-
Set / Light show: A
Overall: B
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